Articles tagged 'Cage'

Mostly Symphonies 18.

The late 18th-century American musical experience during the Washington, J. Adams and Jefferson presidencies would have included medleys alternating popular tunes and Continental fare.

Mostly Symphonies 18.

The late 18th-century American musical experience during the Washington, J. Adams and Jefferson presidencies would have included medleys alternating popular tunes and Continental fare.

String Theory 4: String Orchestras

Ever willful, Pettersson forges sternly lyric melodies in which every pitch counts. Typical of the composer, gorgeous tonal moments, usually cadential, emerge from dissonance.

String Theory 4: String Orchestras

Ever willful, Pettersson forges sternly lyric melodies in which every pitch counts. Typical of the composer, gorgeous tonal moments, usually cadential, emerge from dissonance.

String Theory 2: Violoncellos and Basses with Support

Canonici produces vivid playing, a wonder to behold. However, these modernist solos with their brutal snap pizzicatos, soaring harmonics, low growling and frenetic tremolos tend to blur together.

String Theory 2: Violoncellos and Basses with Support

Canonici produces vivid playing, a wonder to behold. However, these modernist solos with their brutal snap pizzicatos, soaring harmonics, low growling and frenetic tremolos tend to blur together.

Piano Factory 4.

No desiccated embryos here. The LTM pair enshrines Satie compositions from the early to mid-1890s, the period preceding the ironic collections with the wacky titles.

Piano Factory 4.

No desiccated embryos here. The LTM pair enshrines Satie compositions from the early to mid-1890s, the period preceding the ironic collections with the wacky titles.

Dowland Our Contemporary: String Quartets

With detours, these days I go straight from the 1620s (deaths of Byrd, Gibbons, Dowland and Bull) to the modern era…

Dowland Our Contemporary: String Quartets

With detours, these days I go straight from the 1620s (deaths of Byrd, Gibbons, Dowland and Bull) to the modern era…

Mostly Symphonies 9.

Bursting like firecrackers, Solbiati’s two symphonies strike the listener as difficult works born of equally hard labor.

Mostly Symphonies 9.

Bursting like firecrackers, Solbiati’s two symphonies strike the listener as difficult works born of equally hard labor.

Piano Factory 3.

Upon consideration, Fray’s programming makes sense: Both composers, lording over their respective periods, required and require subsequent generations to instigate new styles and techniques.

Piano Factory 3.

Upon consideration, Fray’s programming makes sense: Both composers, lording over their respective periods, required and require subsequent generations to instigate new styles and techniques.

Piano Factory 2.

Debussy and Messiaen live on in the filigree and chords of Murail’s poetic piano compositions.

Piano Factory 2.

Debussy and Messiaen live on in the filigree and chords of Murail’s poetic piano compositions.

1951 and Cage’s Music of Changes

Twentieth-century music began in 1951, the year Schoenberg died and Cage began to use chance.

1951 and Cage’s Music of Changes

Twentieth-century music began in 1951, the year Schoenberg died and Cage began to use chance.

EA Bucket 4.

Of fictitious composers, Gustav Aschenbach may well be the most famous. There are others, of course, but can you name one who appears in a crime novel?

EA Bucket 4.

Of fictitious composers, Gustav Aschenbach may well be the most famous. There are others, of course, but can you name one who appears in a crime novel?