Articles tagged 'Stockhausen'
![](https://www.lafolia.com/wp-content/uploads/2022/05/shiiin_eln1.jpg)
Maestro di Suoni e Silenzi: Necessary Nono 5.
This big-little piece asks for a contralto, flute (piccolo and bass flute), tuba, and a percussion sextet playing Sardinian bells, crotales and bongos, but also some complicated live electronic processing.
![](https://www.lafolia.com/wp-content/uploads/2022/05/shiiin_eln1.jpg)
Maestro di Suoni e Silenzi: Necessary Nono 5.
This big-little piece asks for a contralto, flute (piccolo and bass flute), tuba, and a percussion sextet playing Sardinian bells, crotales and bongos, but also some complicated live electronic processing.
![](https://www.lafolia.com/wp-content/uploads/2021/11/mode_319.jpg)
Percussion Ramble with Toys
In Meadowcroft’s fragile structures, players may set into motion broken toys, or trigger recordings.
![](https://www.lafolia.com/wp-content/uploads/2021/11/mode_319.jpg)
Percussion Ramble with Toys
In Meadowcroft’s fragile structures, players may set into motion broken toys, or trigger recordings.
![](https://www.lafolia.com/wp-content/uploads/2017/04/bmc_cd185-210x186.jpg)
Used Bin Troll Tweets Y.
Is Via Crucis colorless and ephemeral? Is Socrate religious? This duo piano release crafts a universe where Liszt, Satie and Cage blur.
![](https://www.lafolia.com/wp-content/uploads/2017/04/bmc_cd185-210x186.jpg)
Used Bin Troll Tweets Y.
Is Via Crucis colorless and ephemeral? Is Socrate religious? This duo piano release crafts a universe where Liszt, Satie and Cage blur.
![](https://www.lafolia.com/wp-content/uploads/2016/10/metier_msv28525-210x210.jpg)
Piano Factory 17.
Craven provides only pitches and permits repetitions, octave displacement, variable dynamics, etc.
![](https://www.lafolia.com/wp-content/uploads/2016/10/metier_msv28525-210x210.jpg)
Piano Factory 17.
Craven provides only pitches and permits repetitions, octave displacement, variable dynamics, etc.
![](https://www.lafolia.com/wp-content/uploads/2016/06/fugalibera_fug716-210x210.jpeg)
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
![](https://www.lafolia.com/wp-content/uploads/2016/06/fugalibera_fug716-210x210.jpeg)
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
![](https://www.lafolia.com/wp-content/uploads/2015/08/mode_242dvd-e1439856958103.png)
Percussion on mode
Huang (re)introduces a particular genre of percussion music, works written for Trio Le Cercle. These films use close-ups, overlays and subtitles, so that the DVD experience is far richer than a live one.
![](https://www.lafolia.com/wp-content/uploads/2015/08/mode_242dvd-e1439856958103.png)
Percussion on mode
Huang (re)introduces a particular genre of percussion music, works written for Trio Le Cercle. These films use close-ups, overlays and subtitles, so that the DVD experience is far richer than a live one.
![](https://www.lafolia.com/wp-content/uploads/2015/02/tallpoppies_tp223-210x210.jpg)
Percussion with Pianos
There are old and new friends to be found in Edwardes’ excellent recital.
![](https://www.lafolia.com/wp-content/uploads/2015/02/tallpoppies_tp223-210x210.jpg)
Percussion with Pianos
There are old and new friends to be found in Edwardes’ excellent recital.
![](https://www.lafolia.com/wp-content/uploads/2014/06/urlichtav_uav5992br.jpg)
Maestro di Suoni e Silenzi: Necessary Nono 4.
Cuckson and Burns offer the first 5.1 surround sound release of La lontananza. Given the violinist moves through space, this format makes perfect sense.
![](https://www.lafolia.com/wp-content/uploads/2014/06/urlichtav_uav5992br.jpg)
Maestro di Suoni e Silenzi: Necessary Nono 4.
Cuckson and Burns offer the first 5.1 surround sound release of La lontananza. Given the violinist moves through space, this format makes perfect sense.
![](https://www.lafolia.com/wp-content/uploads/2014/03/atopos_atp010_alt.jpg)
Atopos Survey 1. / Italian Vacation 11. / Piano Factory 12.
Although Atopos has been around for over a decade, I’ve only just discovered them. The emphasis is of course Italian, the sensibility suggesting various late-20th century Italians taking cues from European (Darmstadt) and American (Cage, Feldman, et al.) trends.
![](https://www.lafolia.com/wp-content/uploads/2014/03/atopos_atp010_alt.jpg)
Atopos Survey 1. / Italian Vacation 11. / Piano Factory 12.
Although Atopos has been around for over a decade, I’ve only just discovered them. The emphasis is of course Italian, the sensibility suggesting various late-20th century Italians taking cues from European (Darmstadt) and American (Cage, Feldman, et al.) trends.
![](https://www.lafolia.com/wp-content/uploads/2013/01/zeitkratzer_zkr0012-210x208.jpg)
EA Bucket 15.
The zeitkratzer troupe gathered in Slovenia and Croatia to execute structured improvisations motivated by Stockhausen’s baffling instructions.
![](https://www.lafolia.com/wp-content/uploads/2013/01/zeitkratzer_zkr0012-210x208.jpg)
EA Bucket 15.
The zeitkratzer troupe gathered in Slovenia and Croatia to execute structured improvisations motivated by Stockhausen’s baffling instructions.
![](https://www.lafolia.com/wp-content/uploads/2012/11/centaur_crc29282929.jpg)
Piano Factory 7.
I’ve been dipping into this fluent sampler between more difficult stuff, enjoying Halffter’s compact brightness and Santinelli’s flair and execution.
![](https://www.lafolia.com/wp-content/uploads/2012/11/centaur_crc29282929.jpg)
Piano Factory 7.
I’ve been dipping into this fluent sampler between more difficult stuff, enjoying Halffter’s compact brightness and Santinelli’s flair and execution.
![](https://www.lafolia.com/wp-content/uploads/2012/11/kairos_0012872kai.jpg)
EA Bucket 12.
As a sometime electroacoustic practitioner, I listened to this set as other than as critic. While all composers are critics, the obverse is not necessarily true — a discussion for another day.
![](https://www.lafolia.com/wp-content/uploads/2012/11/kairos_0012872kai.jpg)
EA Bucket 12.
As a sometime electroacoustic practitioner, I listened to this set as other than as critic. While all composers are critics, the obverse is not necessarily true — a discussion for another day.