EA Bucket

EA Bucket 33.

Except for the Parmegiani, most of these ea works were created in 2000 or afterwards.

EA Bucket 33.

Except for the Parmegiani, most of these ea works were created in 2000 or afterwards.

Mostly Symphonies 39. / EA Bucket 32: Pierre Henry +/- Beethoven

There’s more going on here than just a few hours of musique concrète and three orchestras navigating a collage.

Mostly Symphonies 39. / EA Bucket 32: Pierre Henry +/- Beethoven

There’s more going on here than just a few hours of musique concrète and three orchestras navigating a collage.

EA Bucket 31: With Instruments

The violin is duplicated and sublimated in these complimentary works for solo instrument and electronics.

EA Bucket 31: With Instruments

The violin is duplicated and sublimated in these complimentary works for solo instrument and electronics.

EA Bucket 30.

Pade is considered the first Danish composer of electronic music

EA Bucket 30.

Pade is considered the first Danish composer of electronic music

String Theory 30. / EA Bucket 29: Violin, sometimes with electronics

Doppelbelichtung (“Double Exposure”) presents the ingenious effect of birds imitating the violin. The exchange of instrument and recorded warblers confounds and charms.

String Theory 30. / EA Bucket 29: Violin, sometimes with electronics

Doppelbelichtung (“Double Exposure”) presents the ingenious effect of birds imitating the violin. The exchange of instrument and recorded warblers confounds and charms.

EA Bucket 28.

It has been a long time since Mariétan has appeared in these pages, and so sharing this loving portrait of France is an overdue delight.

EA Bucket 28.

It has been a long time since Mariétan has appeared in these pages, and so sharing this loving portrait of France is an overdue delight.

EA Bucket 27.

Using synthesized tones recalling the electronic age’s dawn, Perpetuum Mobile, Zagny’s minimalist four-voice study on cadential figures with wrinkles, takes 24:30 to unspool when all four voices are superimposed.

EA Bucket 27.

Using synthesized tones recalling the electronic age’s dawn, Perpetuum Mobile, Zagny’s minimalist four-voice study on cadential figures with wrinkles, takes 24:30 to unspool when all four voices are superimposed.

Chion: Études and Essays (EA Bucket 26.)

Brocoli compiles Chion’s earliest pieces. A strict archivist might have sequenced these chronologically, but this order makes a dramatic design.

Chion: Études and Essays (EA Bucket 26.)

Brocoli compiles Chion’s earliest pieces. A strict archivist might have sequenced these chronologically, but this order makes a dramatic design.

EA Bucket 25: With Instruments

Quatuor is Roux’s response to Beethoven’s Op. 74 string quartet. Countless miraculous moments gently surprise, especially in the scherzo (Presto).

EA Bucket 25: With Instruments

Quatuor is Roux’s response to Beethoven’s Op. 74 string quartet. Countless miraculous moments gently surprise, especially in the scherzo (Presto).

String Theory 23. / EA Bucket 24: Violin, sometimes with tape

There will be those who get the pun in Rynes’ title, but I wasn’t one of them. Rynes’ nine-item program presents old and new friends.

String Theory 23. / EA Bucket 24: Violin, sometimes with tape

There will be those who get the pun in Rynes’ title, but I wasn’t one of them. Rynes’ nine-item program presents old and new friends.

EA Bucket 23.

Herbert is contemplating the experience of listening and ruminating upon the Adagio of Mahler’s unfinished Tenth.

EA Bucket 23.

Herbert is contemplating the experience of listening and ruminating upon the Adagio of Mahler’s unfinished Tenth.

EA Bucket 22: Including Solo Instruments

Sikora’s expert duets for instrument and tape are not conversations but confrontations. Her method appears to involve serializing episodes, rarely relying upon repetition or traditional development. Many remarkable gestures show just once.

EA Bucket 22: Including Solo Instruments

Sikora’s expert duets for instrument and tape are not conversations but confrontations. Her method appears to involve serializing episodes, rarely relying upon repetition or traditional development. Many remarkable gestures show just once.