Articles tagged 'Gubaidulina'
![](https://www.lafolia.com/wp-content/uploads/2023/07/neuma_158.jpg)
Used Bin Troll Tweets OOO.
A welcome historic recording, sponsored by Pauline Oliveros and recorded on Feb 2, 1977.
![](https://www.lafolia.com/wp-content/uploads/2023/07/neuma_158.jpg)
Used Bin Troll Tweets OOO.
A welcome historic recording, sponsored by Pauline Oliveros and recorded on Feb 2, 1977.
![](https://www.lafolia.com/wp-content/uploads/2020/12/innova_005.jpg)
String Theory 34: Many Guitars and a Banjo
Comfortably unclassifiable, Elwood’s improvisations and pieces explore the banjo and its tropes.
![](https://www.lafolia.com/wp-content/uploads/2020/12/innova_005.jpg)
String Theory 34: Many Guitars and a Banjo
Comfortably unclassifiable, Elwood’s improvisations and pieces explore the banjo and its tropes.
![](https://www.lafolia.com/wp-content/uploads/2018/05/atopos_atp0221234-210x184.jpg)
Atopos Survey 4.
Atopos curates astonishing collections which must be sought out. Including this installment, we have covered everything that this unfamiliar label has released thus far.
![](https://www.lafolia.com/wp-content/uploads/2018/05/atopos_atp0221234-210x184.jpg)
Atopos Survey 4.
Atopos curates astonishing collections which must be sought out. Including this installment, we have covered everything that this unfamiliar label has released thus far.
![](https://www.lafolia.com/wp-content/uploads/2017/06/cybele_960301-210x190.jpg)
Flutes
Psenitsnikova takes us through four varied pieces, three requiring tape or tape delay, from Fritsch who founded the Feedback Studio in Cologne.
![](https://www.lafolia.com/wp-content/uploads/2017/06/cybele_960301-210x190.jpg)
Flutes
Psenitsnikova takes us through four varied pieces, three requiring tape or tape delay, from Fritsch who founded the Feedback Studio in Cologne.
![](https://www.lafolia.com/wp-content/uploads/2017/04/Andris-Nelsons-and-Sofia-Gubaidulina-Winslow-Townson-e1491417377274.jpg)
New and Near New in Boston
Gubaidulina’s one-movement Triple Concerto is a consummate mystery. It does not present itself as a typical concerto requiring flamboyant soloists and an obliging orchestra.
![](https://www.lafolia.com/wp-content/uploads/2017/04/Andris-Nelsons-and-Sofia-Gubaidulina-Winslow-Townson-e1491417377274.jpg)
New and Near New in Boston
Gubaidulina’s one-movement Triple Concerto is a consummate mystery. It does not present itself as a typical concerto requiring flamboyant soloists and an obliging orchestra.
![](https://www.lafolia.com/wp-content/uploads/2016/01/atma_acd22689-.jpg)
String Theory 16: 17 Quartets, some with voices, tapes, etc.
After wrestling with Schnittke, the Molinari get into the ring with Gubaidulina.
![](https://www.lafolia.com/wp-content/uploads/2016/01/atma_acd22689-.jpg)
String Theory 16: 17 Quartets, some with voices, tapes, etc.
After wrestling with Schnittke, the Molinari get into the ring with Gubaidulina.
![](https://www.lafolia.com/wp-content/uploads/2012/11/nonclsscd003.jpg)
String Theory 8 / EA Bucket 14: 29 Quartets, etc.
Prokofiev’s awkward First provides fodder for insipid remixes.
![](https://www.lafolia.com/wp-content/uploads/2012/11/nonclsscd003.jpg)
String Theory 8 / EA Bucket 14: 29 Quartets, etc.
Prokofiev’s awkward First provides fodder for insipid remixes.
![](https://www.lafolia.com/wp-content/uploads/2012/11/haensslerclassic_98229.jpg)
Piano Factory 1.
Having negotiated the 20th century’s main styles, Silvestrov abandons them for an introspective Romantic cloud.
![](https://www.lafolia.com/wp-content/uploads/2012/11/haensslerclassic_98229.jpg)
Piano Factory 1.
Having negotiated the 20th century’s main styles, Silvestrov abandons them for an introspective Romantic cloud.
![](https://www.lafolia.com/wp-content/uploads/2018/10/alt27.jpg)
Gubaidulina: Recent Works
An orchestral piece by Gubaidulina comes with expectations: prominent metallic percussion, bustling strings, violent tutti climaxes, etc.
![](https://www.lafolia.com/wp-content/uploads/2018/10/alt27.jpg)
Gubaidulina: Recent Works
An orchestral piece by Gubaidulina comes with expectations: prominent metallic percussion, bustling strings, violent tutti climaxes, etc.
![](https://www.lafolia.com/wp-content/uploads/2018/10/alt27.jpg)
Sofia Gubaidulina
Born in the Tatar Republic in 1931, the composer resides in Stuttgart — the West, hands-on familiarity with European art music’s vanguard. Yet even today, as globalization homogenizes cultures, Gubaidulina’s music looks to exotic frontiers in other than comfortably ersatz terms.
![](https://www.lafolia.com/wp-content/uploads/2018/10/alt27.jpg)
Sofia Gubaidulina
Born in the Tatar Republic in 1931, the composer resides in Stuttgart — the West, hands-on familiarity with European art music’s vanguard. Yet even today, as globalization homogenizes cultures, Gubaidulina’s music looks to exotic frontiers in other than comfortably ersatz terms.