Articles tagged 'Dufourt'
![](https://www.lafolia.com/wp-content/uploads/2018/11/godrecords_god46.jpg)
Piano Factory 25.
Liberated from traditional scale passages and gestures, Aperghis’ particular brand of energetic filigree is unfurled across four piano works.
![](https://www.lafolia.com/wp-content/uploads/2018/11/godrecords_god46.jpg)
Piano Factory 25.
Liberated from traditional scale passages and gestures, Aperghis’ particular brand of energetic filigree is unfurled across four piano works.
![](https://www.lafolia.com/wp-content/uploads/2014/04/labor_lab70202-210x212.jpg)
Used Bin Troll Tweets G.
What’s wrong? I’m starting to like everything. Perhaps I just like the piano.
![](https://www.lafolia.com/wp-content/uploads/2014/04/labor_lab70202-210x212.jpg)
Used Bin Troll Tweets G.
What’s wrong? I’m starting to like everything. Perhaps I just like the piano.
![](https://www.lafolia.com/wp-content/uploads/2013/05/harmoniamundi_hmc902153-210x210.jpg)
Mostly Symphonies 22.
Intended as a response to Brahms’ four, this symphony could be the primordial soup from which Hamburg’s greatest son emerged.
![](https://www.lafolia.com/wp-content/uploads/2013/05/harmoniamundi_hmc902153-210x210.jpg)
Mostly Symphonies 22.
Intended as a response to Brahms’ four, this symphony could be the primordial soup from which Hamburg’s greatest son emerged.
![](https://www.lafolia.com/wp-content/uploads/2013/05/crr_opus_erasmus.jpg)
Can These Bones Live? Conservatoire Blues
The night began auspiciously behind closed doors.
![](https://www.lafolia.com/wp-content/uploads/2013/05/crr_opus_erasmus.jpg)
Can These Bones Live? Conservatoire Blues
The night began auspiciously behind closed doors.
![](https://www.lafolia.com/wp-content/uploads/2012/11/viennamodernmasters_vmm306.jpg)
Solos and Underdogs
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.
![](https://www.lafolia.com/wp-content/uploads/2012/11/viennamodernmasters_vmm306.jpg)
Solos and Underdogs
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.