Articles tagged 'C Fox'
![](https://www.lafolia.com/wp-content/uploads/2019/01/harmoniamundi_hmn916105.jpg)
Used Bin Troll Tweets KK.
This Baroque quintet plays 18th-century Scottish and Irish traditional music.
![](https://www.lafolia.com/wp-content/uploads/2019/01/harmoniamundi_hmn916105.jpg)
Used Bin Troll Tweets KK.
This Baroque quintet plays 18th-century Scottish and Irish traditional music.
![](https://www.lafolia.com/wp-content/uploads/2017/06/cybele_960301-210x190.jpg)
Flutes
Psenitsnikova takes us through four varied pieces, three requiring tape or tape delay, from Fritsch who founded the Feedback Studio in Cologne.
![](https://www.lafolia.com/wp-content/uploads/2017/06/cybele_960301-210x190.jpg)
Flutes
Psenitsnikova takes us through four varied pieces, three requiring tape or tape delay, from Fritsch who founded the Feedback Studio in Cologne.
![](https://www.lafolia.com/wp-content/uploads/2015/03/kohlenstoff_kohl015-210x210.jpg)
EA Bucket 21.
The best ea defies explanation and labeling. We find ourselves in a world where the familiar takes on varying expressions.
![](https://www.lafolia.com/wp-content/uploads/2015/03/kohlenstoff_kohl015-210x210.jpg)
EA Bucket 21.
The best ea defies explanation and labeling. We find ourselves in a world where the familiar takes on varying expressions.
![](https://www.lafolia.com/wp-content/uploads/2012/11/nmc_d079.jpg)
String Theory 2: Violoncellos and Basses with Support
Canonici produces vivid playing, a wonder to behold. However, these modernist solos with their brutal snap pizzicatos, soaring harmonics, low growling and frenetic tremolos tend to blur together.
![](https://www.lafolia.com/wp-content/uploads/2012/11/nmc_d079.jpg)
String Theory 2: Violoncellos and Basses with Support
Canonici produces vivid playing, a wonder to behold. However, these modernist solos with their brutal snap pizzicatos, soaring harmonics, low growling and frenetic tremolos tend to blur together.
![](https://www.lafolia.com/wp-content/uploads/2013/02/hatology_564.jpg-210x182.jpg)
Walt’s Ratatouille 5.
The opening cut, Bley’s solo rendition of “Touching,” distills the pianist’s art — pedaling that turns notes into sculpture, leaping figures suddenly dropped, looming spaces.
![](https://www.lafolia.com/wp-content/uploads/2013/02/hatology_564.jpg-210x182.jpg)
Walt’s Ratatouille 5.
The opening cut, Bley’s solo rendition of “Touching,” distills the pianist’s art — pedaling that turns notes into sculpture, leaping figures suddenly dropped, looming spaces.