Articles tagged 'Boulez'
Piano Factory 27.
Van Raat wraps unfamiliar French piano music around a Boulez premiere.
Piano Factory 27.
Van Raat wraps unfamiliar French piano music around a Boulez premiere.
String Theory 25: 12 Quartets, etc.
Sani has set himself the task of responding to Rothko’s work. Clearly it’s not possible to replicate the canvasses’ images with music, but it is possible to present forms and shapes that reflect Rothko’s expansive vision and bold color fields.
String Theory 25: 12 Quartets, etc.
Sani has set himself the task of responding to Rothko’s work. Clearly it’s not possible to replicate the canvasses’ images with music, but it is possible to present forms and shapes that reflect Rothko’s expansive vision and bold color fields.
Piano Factory 18.
If you like your Bach straight up, then Chan’s minimalist constellations will not amuse. Chan doesn’t provide the familiar melody, but instead organizes or jumbles the chorale’s pitch materials into chowder, deeply obscuring Bach’s poignant original.
Piano Factory 18.
If you like your Bach straight up, then Chan’s minimalist constellations will not amuse. Chan doesn’t provide the familiar melody, but instead organizes or jumbles the chorale’s pitch materials into chowder, deeply obscuring Bach’s poignant original.
String Theory 23. / EA Bucket 24: Violin, sometimes with tape
There will be those who get the pun in Rynes’ title, but I wasn’t one of them. Rynes’ nine-item program presents old and new friends.
String Theory 23. / EA Bucket 24: Violin, sometimes with tape
There will be those who get the pun in Rynes’ title, but I wasn’t one of them. Rynes’ nine-item program presents old and new friends.
Après l’artisanat furieux or Post-Boulez
Most of us can only look back and marvel at the mid-century Darmstadt classes, at Boulez’s overlapping tenures with the Cleveland Orchestra, the BBC Symphony and the New York Philharmonic, and the creation of IRCAM.
Après l’artisanat furieux or Post-Boulez
Most of us can only look back and marvel at the mid-century Darmstadt classes, at Boulez’s overlapping tenures with the Cleveland Orchestra, the BBC Symphony and the New York Philharmonic, and the creation of IRCAM.
Used Bin Troll Tweets O.
At least it’s good to see more Bacewicz on record.
Not an Encomium for Pierre Boulez
Pierre Boulez, the maître, will turn 90 next month. This occasion engenders a poem and a brief acknowledgment of conflicted thoughts.
Not an Encomium for Pierre Boulez
Pierre Boulez, the maître, will turn 90 next month. This occasion engenders a poem and a brief acknowledgment of conflicted thoughts.
Boulez [In]Complete Work(s) in Progress
If audiences have warmed to Boulez’s Mahler, Ravel or Bartók, they ought to try something of the grand maître’s own.
Boulez [In]Complete Work(s) in Progress
If audiences have warmed to Boulez’s Mahler, Ravel or Bartók, they ought to try something of the grand maître’s own.
String Theory 3: Viols and Violas
What are the odds that we’d have two shakes at one Aperghis opus?
String Theory 3: Viols and Violas
What are the odds that we’d have two shakes at one Aperghis opus?
Solos and Underdogs
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.
Solos and Underdogs
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.
Piano Factory 3.
Upon consideration, Fray’s programming makes sense: Both composers, lording over their respective periods, required and require subsequent generations to instigate new styles and techniques.
Piano Factory 3.
Upon consideration, Fray’s programming makes sense: Both composers, lording over their respective periods, required and require subsequent generations to instigate new styles and techniques.
Boulez: A Master Speaks Anew
There may be no post-World War II work for voice and instrumentalists more famous than Pierre Boulez’s 1950s song cycle Le marteau sans maître.
Boulez: A Master Speaks Anew
There may be no post-World War II work for voice and instrumentalists more famous than Pierre Boulez’s 1950s song cycle Le marteau sans maître.