Articles by Year: La Folia, 2017.
![](https://www.lafolia.com/wp-content/uploads/2017/08/Roman_Ruins_at_Schönbrunn-210x115.jpg)
Homo PoMo
Clementi and Silvestrov represent the late 20th century in its Janus-visaged splendor, two chiselers making the most of a ravaged and desolate toolkit – disparate fellow travelers.
![](https://www.lafolia.com/wp-content/uploads/2017/08/Roman_Ruins_at_Schönbrunn-210x115.jpg)
Homo PoMo
Clementi and Silvestrov represent the late 20th century in its Janus-visaged splendor, two chiselers making the most of a ravaged and desolate toolkit – disparate fellow travelers.
![](https://www.lafolia.com/wp-content/uploads/2017/08/zefir_zef9626-210x188.jpg)
Pièces de Clavecin 11.
Bustijn is perhaps the best or most accessible example we have today of Dutch music in the Baroque era. It is said that Bach possessed a copy of these Suittes.
![](https://www.lafolia.com/wp-content/uploads/2017/08/zefir_zef9626-210x188.jpg)
Pièces de Clavecin 11.
Bustijn is perhaps the best or most accessible example we have today of Dutch music in the Baroque era. It is said that Bach possessed a copy of these Suittes.
![](https://www.lafolia.com/wp-content/uploads/2017/08/divineart_dda25122-210x210.jpg)
Pièces de Clavecin 10.
This profoundly satisfying program started with the instrument.
![](https://www.lafolia.com/wp-content/uploads/2017/08/divineart_dda25122-210x210.jpg)
Pièces de Clavecin 10.
This profoundly satisfying program started with the instrument.
![](https://www.lafolia.com/wp-content/uploads/2017/07/bis1298-210x210.jpg)
Used Bin Troll Tweets AA.
Ingólfsson stakes a claim near the site that Romitelli quarried. The agile and luscious instrumental textures would have pleased Boulez.
![](https://www.lafolia.com/wp-content/uploads/2017/07/bis1298-210x210.jpg)
Used Bin Troll Tweets AA.
Ingólfsson stakes a claim near the site that Romitelli quarried. The agile and luscious instrumental textures would have pleased Boulez.
![](https://www.lafolia.com/wp-content/uploads/2017/07/testklang_tk1105-210x188.jpg)
Ferrari Heteroclite and Obscure
It’s rare that a previously unheard work shakes up our conception: Journal Intime and Chantal can challenge an understanding of Ferrari’s worldview and work.
![](https://www.lafolia.com/wp-content/uploads/2017/07/testklang_tk1105-210x188.jpg)
Ferrari Heteroclite and Obscure
It’s rare that a previously unheard work shakes up our conception: Journal Intime and Chantal can challenge an understanding of Ferrari’s worldview and work.
![](https://www.lafolia.com/wp-content/uploads/2017/07/georgestruc-210x210.jpg)
Élie Cohen and Georges Truc: Obscure Conductors
Each made significant recordings, important enough that the obscurity of their conductors is hard to understand.
![](https://www.lafolia.com/wp-content/uploads/2017/07/georgestruc-210x210.jpg)
Élie Cohen and Georges Truc: Obscure Conductors
Each made significant recordings, important enough that the obscurity of their conductors is hard to understand.
![](https://www.lafolia.com/wp-content/uploads/2017/06/cybele_960301-210x190.jpg)
Flutes
Psenitsnikova takes us through four varied pieces, three requiring tape or tape delay, from Fritsch who founded the Feedback Studio in Cologne.
![](https://www.lafolia.com/wp-content/uploads/2017/06/cybele_960301-210x190.jpg)
Flutes
Psenitsnikova takes us through four varied pieces, three requiring tape or tape delay, from Fritsch who founded the Feedback Studio in Cologne.
![](https://www.lafolia.com/wp-content/uploads/2017/06/tactus_tc922201-210x208.jpg)
Piano Factory 22. / Italian Vacation 15.
If Tosatti is encountered today, it is perhaps as Scelsi’s transcriber who momentarily popped up to claim a greater share of attribution.
![](https://www.lafolia.com/wp-content/uploads/2017/06/tactus_tc922201-210x208.jpg)
Piano Factory 22. / Italian Vacation 15.
If Tosatti is encountered today, it is perhaps as Scelsi’s transcriber who momentarily popped up to claim a greater share of attribution.
![](https://www.lafolia.com/wp-content/uploads/2017/05/alpha_196-210x193.jpeg)
Piano Factory 21: Haydn and Busoni
Exercising a Stein fortepiano from 1799, Mitchell improvises brief thematic and harmonic transitions. These are mature Haydn sonatas, in which seemingly modest ideas are expertly probed.
![](https://www.lafolia.com/wp-content/uploads/2017/05/alpha_196-210x193.jpeg)
Piano Factory 21: Haydn and Busoni
Exercising a Stein fortepiano from 1799, Mitchell improvises brief thematic and harmonic transitions. These are mature Haydn sonatas, in which seemingly modest ideas are expertly probed.
![](https://www.lafolia.com/wp-content/uploads/2017/05/accord_acd2102-210x184.jpg)
Piano Factory 20.
This portrait disc reveals a consistency across several decades, a witty composer who admired Prokofiev and Classical forms.
![](https://www.lafolia.com/wp-content/uploads/2017/05/accord_acd2102-210x184.jpg)
Piano Factory 20.
This portrait disc reveals a consistency across several decades, a witty composer who admired Prokofiev and Classical forms.
![](https://www.lafolia.com/wp-content/uploads/2017/05/accentus_acc40372-210x211.jpg)
Used Bin Troll Tweets Z.
With an assured understanding of the music, Zhu Xiao-Mei’s second take is incredibly personal, perhaps too quirky and nutty for purists.
![](https://www.lafolia.com/wp-content/uploads/2017/05/accentus_acc40372-210x211.jpg)
Used Bin Troll Tweets Z.
With an assured understanding of the music, Zhu Xiao-Mei’s second take is incredibly personal, perhaps too quirky and nutty for purists.
![](https://www.lafolia.com/wp-content/uploads/2017/04/navonarecords_nv6074-210x210.jpg)
Odes to Music
An ever widening, ever brighter circle. Levin’s deep conversancy with the Romantic canon informs her spirited approach to both modern and period works.
![](https://www.lafolia.com/wp-content/uploads/2017/04/navonarecords_nv6074-210x210.jpg)
Odes to Music
An ever widening, ever brighter circle. Levin’s deep conversancy with the Romantic canon informs her spirited approach to both modern and period works.