Gil Reavill
![](https://www.lafolia.com/wp-content/uploads/2020/09/IMG-1087_e-210x280.jpg)
Music in the Midst of the Plague: A Conversation with Beth Levin
I was always saying things like, “I wish I had a year to learn that concerto,” or, “I wish I had two years for that set of variations.”
![](https://www.lafolia.com/wp-content/uploads/2020/09/IMG-1087_e-210x280.jpg)
Music in the Midst of the Plague: A Conversation with Beth Levin
I was always saying things like, “I wish I had a year to learn that concerto,” or, “I wish I had two years for that set of variations.”
![](https://www.lafolia.com/wp-content/uploads/2017/04/navonarecords_nv6074-210x210.jpg)
Odes to Music
An ever widening, ever brighter circle. Levin’s deep conversancy with the Romantic canon informs her spirited approach to both modern and period works.
![](https://www.lafolia.com/wp-content/uploads/2017/04/navonarecords_nv6074-210x210.jpg)
Odes to Music
An ever widening, ever brighter circle. Levin’s deep conversancy with the Romantic canon informs her spirited approach to both modern and period works.
![](https://www.lafolia.com/wp-content/uploads/2016/01/vienna3-210x210.jpg)
Creating in the Moment: A Q&A with Beth Levin
“A pianist’s work just begins at the opening of the concert. It can’t be wiped away and begun again. For a long time I preferred music to simply fly out to the atmosphere.”
![](https://www.lafolia.com/wp-content/uploads/2016/01/vienna3-210x210.jpg)
Creating in the Moment: A Q&A with Beth Levin
“A pianist’s work just begins at the opening of the concert. It can’t be wiped away and begun again. For a long time I preferred music to simply fly out to the atmosphere.”