Articles tagged 'Silvestrov'

(Dis)Arrangements

The Four Seasons has been deftly mutilated… Richter never forgets that harmony lies at Vivaldi’s core, regardless of repetition or the solo line. I imagine that Hope must hereafter worry he might confuse one for the other in performance.

(Dis)Arrangements

The Four Seasons has been deftly mutilated… Richter never forgets that harmony lies at Vivaldi’s core, regardless of repetition or the solo line. I imagine that Hope must hereafter worry he might confuse one for the other in performance.

Mostly Symphonies 15.

As Gardiner tells it, Brahms was not the progressive Schoenberg thought he was.

Mostly Symphonies 15.

As Gardiner tells it, Brahms was not the progressive Schoenberg thought he was.

Piano Factory 1.

Having negotiated the 20th century’s main styles, Silvestrov abandons them for an introspective Romantic cloud.

Piano Factory 1.

Having negotiated the 20th century’s main styles, Silvestrov abandons them for an introspective Romantic cloud.

Mostly Symphonies 7.

Weiner completed his arrangement in 1955, and this is apparently the first recording. The challenges and decisions are huge.

Mostly Symphonies 7.

Weiner completed his arrangement in 1955, and this is apparently the first recording. The challenges and decisions are huge.

Mostly Symphonies 5.

This auspicious recording, the first on the CSO’s own label, is a keeper to shelve near Horenstein’s beloved Third.

Mostly Symphonies 5.

This auspicious recording, the first on the CSO’s own label, is a keeper to shelve near Horenstein’s beloved Third.

Two Recent Requiems

The Requiem doesn’t really conclude. It recycles, gently rummaging through Silvestrov’s portmanteau of Romantic gestures and remembrances.

Two Recent Requiems

The Requiem doesn’t really conclude. It recycles, gently rummaging through Silvestrov’s portmanteau of Romantic gestures and remembrances.

Walt’s Ratatouille 7.

Hard on the instrument and on the players, Beethoven’s piano-four hands transcription of his Grosse Fuge is also hard to find.

Walt’s Ratatouille 7.

Hard on the instrument and on the players, Beethoven’s piano-four hands transcription of his Grosse Fuge is also hard to find.

Walt’s Ratatouille 6.

Utrecht’s Rosa Ensemble is another of the category-crossing bands that renders the New Music scene in Holland so vital.

Walt’s Ratatouille 6.

Utrecht’s Rosa Ensemble is another of the category-crossing bands that renders the New Music scene in Holland so vital.

Collections and Colecciónes

Nuits — weiß wie Lilien, The Carnegie Hall Millennium Piano Book, Kronos’ Nuevo, etc.

Collections and Colecciónes

Nuits — weiß wie Lilien, The Carnegie Hall Millennium Piano Book, Kronos’ Nuevo, etc.