Articles tagged 'Pesson'
![](https://www.lafolia.com/wp-content/uploads/2022/08/nomadmusic_nmm052-210x185.jpg)
An Appreciation of Recent Pesson: “Graceless Anticipations”
Other composers make do with note values and pitches, whereas Pesson immediately alights upon connotations and an expressive plateau.
![](https://www.lafolia.com/wp-content/uploads/2022/08/nomadmusic_nmm052-210x185.jpg)
An Appreciation of Recent Pesson: “Graceless Anticipations”
Other composers make do with note values and pitches, whereas Pesson immediately alights upon connotations and an expressive plateau.
![](https://www.lafolia.com/wp-content/uploads/2021/12/erato_9029532307.jpg)
Concerto Concentrations 6.
Tharaud brings luminosity to three concertos.
![](https://www.lafolia.com/wp-content/uploads/2016/06/fugalibera_fug716-210x210.jpeg)
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
![](https://www.lafolia.com/wp-content/uploads/2016/06/fugalibera_fug716-210x210.jpeg)
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
![](https://www.lafolia.com/wp-content/uploads/2012/11/aeon_aecd0876-210x188.jpg)
Graceful Illusionist: Gérard Pesson
It would be cruel to call Gérard Pesson the Französisch Lachenmann (or the francese Sciarrino).
![](https://www.lafolia.com/wp-content/uploads/2012/11/aeon_aecd0876-210x188.jpg)
Graceful Illusionist: Gérard Pesson
It would be cruel to call Gérard Pesson the Französisch Lachenmann (or the francese Sciarrino).
![](https://www.lafolia.com/wp-content/uploads/2012/11/assai_222322.jpg)
End-of-the-Year Ramble
This is an exciting discovery. In terms of significance, Gérard Pesson’s opera Forever Valley belongs with Sciarrino’s Luci mie traditrici and Lachenmann’s Das Mädchen mit den Schwefelhölzern.
![](https://www.lafolia.com/wp-content/uploads/2012/11/assai_222322.jpg)
End-of-the-Year Ramble
This is an exciting discovery. In terms of significance, Gérard Pesson’s opera Forever Valley belongs with Sciarrino’s Luci mie traditrici and Lachenmann’s Das Mädchen mit den Schwefelhölzern.