String Theory 1: Violins and Violas

In unceasing motion, Oesterle juggles 70 four-pitch groups into repeating patterns, generally double-stops with frequent harmonics, uneven rhythmic profiles and infrequent fast notes.

Piano Factory 4.

No desiccated embryos here. The LTM pair enshrines Satie compositions from the early to mid-1890s, the period preceding the ironic collections with the wacky titles.