Articles tagged 'Ligeti'
![](https://www.lafolia.com/wp-content/uploads/2024/07/budapestmusiccenterrecords_bmccd330-210x185.jpg)
Another July Ramble
Ligeti’s precisely notated miniatures, sometimes minimal, sometimes Webernian, become anchors for discoveries.
![](https://www.lafolia.com/wp-content/uploads/2024/07/budapestmusiccenterrecords_bmccd330-210x185.jpg)
Another July Ramble
Ligeti’s precisely notated miniatures, sometimes minimal, sometimes Webernian, become anchors for discoveries.
![](https://www.lafolia.com/wp-content/uploads/2022/01/alba_abcd457.jpg)
Used Bin Troll Tweets EEE.
Three inventive choral works expertly performed.
![](https://www.lafolia.com/wp-content/uploads/2022/01/arcana_a115.jpg)
(Dis)Arrangements 13. / Scarlatti para siempre 3.
It is fascinating to see which composers and performers felt it necessary to enhance the Baroque master, and which were content to simply orchestrate.
![](https://www.lafolia.com/wp-content/uploads/2022/01/arcana_a115.jpg)
(Dis)Arrangements 13. / Scarlatti para siempre 3.
It is fascinating to see which composers and performers felt it necessary to enhance the Baroque master, and which were content to simply orchestrate.
![](https://www.lafolia.com/wp-content/uploads/2021/10/princeton_9780691027081.jpg)
Pièces de Clavecin 13. / Scarlatti para siempre 1.
We could imagine the span of Scarlatti’s sonatas as a twilight diary.
![](https://www.lafolia.com/wp-content/uploads/2021/10/princeton_9780691027081.jpg)
Pièces de Clavecin 13. / Scarlatti para siempre 1.
We could imagine the span of Scarlatti’s sonatas as a twilight diary.
![](https://www.lafolia.com/wp-content/uploads/2021/02/alpha_631.jpg)
Piano Factory 28.
My favorite track is the Prelude from Bach’s Second English Suite which glows fantastically on Fender Rhodes.
![](https://www.lafolia.com/wp-content/uploads/2021/02/alpha_631.jpg)
Piano Factory 28.
My favorite track is the Prelude from Bach’s Second English Suite which glows fantastically on Fender Rhodes.
![](https://www.lafolia.com/wp-content/uploads/2020/11/nyphil_faure_requiem_boulanger.jpg)
Used Bin Troll Tweets TT.
Historic radio broadcast from February 17, 1962, in memoriam Bruno Walter.
![](https://www.lafolia.com/wp-content/uploads/2020/11/nyphil_faure_requiem_boulanger.jpg)
Used Bin Troll Tweets TT.
Historic radio broadcast from February 17, 1962, in memoriam Bruno Walter.
![](https://www.lafolia.com/wp-content/uploads/2018/11/godrecords_god46.jpg)
Piano Factory 25.
Liberated from traditional scale passages and gestures, Aperghis’ particular brand of energetic filigree is unfurled across four piano works.
![](https://www.lafolia.com/wp-content/uploads/2018/11/godrecords_god46.jpg)
Piano Factory 25.
Liberated from traditional scale passages and gestures, Aperghis’ particular brand of energetic filigree is unfurled across four piano works.
![](https://www.lafolia.com/wp-content/uploads/2018/02/talkingtaco_ttcd132a.jpg)
Narrow-Minded Opinionism 2.
It’s like a cable series that improves at midpoint.
![](https://www.lafolia.com/wp-content/uploads/2018/02/Thomas-Ades-and-Augustin-Hadelich-perform-with-the-Boston-Symphony-Orchestra-1.25.18-Robert-Torres3-210x140.jpg)
Innovation in Boston
Three recent concerts in Boston featuring Adès, Ives and Shepherd.
![](https://www.lafolia.com/wp-content/uploads/2018/02/Thomas-Ades-and-Augustin-Hadelich-perform-with-the-Boston-Symphony-Orchestra-1.25.18-Robert-Torres3-210x140.jpg)
Innovation in Boston
Three recent concerts in Boston featuring Adès, Ives and Shepherd.
![](https://www.lafolia.com/wp-content/uploads/2016/10/mode_231-210x208.jpg)
String Theory 21: Mostly Viola(s)
Royer is an inspired Scelsi performer. He plays as if improvising, easing into Scelsi’s languid microtones with grace notes flicked away like involuntary twitches.
![](https://www.lafolia.com/wp-content/uploads/2016/10/mode_231-210x208.jpg)
String Theory 21: Mostly Viola(s)
Royer is an inspired Scelsi performer. He plays as if improvising, easing into Scelsi’s languid microtones with grace notes flicked away like involuntary twitches.
![](https://www.lafolia.com/wp-content/uploads/2016/06/fugalibera_fug716-210x210.jpeg)
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
![](https://www.lafolia.com/wp-content/uploads/2016/06/fugalibera_fug716-210x210.jpeg)
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
![](https://www.lafolia.com/wp-content/uploads/2016/01/atma_acd22689-.jpg)
String Theory 16: 17 Quartets, some with voices, tapes, etc.
After wrestling with Schnittke, the Molinari get into the ring with Gubaidulina.
![](https://www.lafolia.com/wp-content/uploads/2016/01/atma_acd22689-.jpg)
String Theory 16: 17 Quartets, some with voices, tapes, etc.
After wrestling with Schnittke, the Molinari get into the ring with Gubaidulina.