Articles tagged 'Katzer'
![](https://www.lafolia.com/wp-content/uploads/2012/11/metier_28528.jpg)
String Theory 9: 30 Quartets, etc.
As we’d expect from a seasoned musician, Ramsay’s quartets reveal a deep understanding of and admiration for the genre’s giants.
![](https://www.lafolia.com/wp-content/uploads/2012/11/metier_28528.jpg)
String Theory 9: 30 Quartets, etc.
As we’d expect from a seasoned musician, Ramsay’s quartets reveal a deep understanding of and admiration for the genre’s giants.
![](https://www.lafolia.com/wp-content/uploads/2012/11/capriccio_c5019.jpg)
Mostly Symphonies 19.
Despite a US sojourn which included scoring a few Disney films, Dessau remains obscure outside of East Germany, his home from 1948 until his death in 1979.
![](https://www.lafolia.com/wp-content/uploads/2012/11/capriccio_c5019.jpg)
Mostly Symphonies 19.
Despite a US sojourn which included scoring a few Disney films, Dessau remains obscure outside of East Germany, his home from 1948 until his death in 1979.
![](https://www.lafolia.com/wp-content/uploads/2012/11/kairos_0012872kai.jpg)
EA Bucket 12.
As a sometime electroacoustic practitioner, I listened to this set as other than as critic. While all composers are critics, the obverse is not necessarily true — a discussion for another day.
![](https://www.lafolia.com/wp-content/uploads/2012/11/kairos_0012872kai.jpg)
EA Bucket 12.
As a sometime electroacoustic practitioner, I listened to this set as other than as critic. While all composers are critics, the obverse is not necessarily true — a discussion for another day.
![](https://www.lafolia.com/wp-content/uploads/2018/10/alt27.jpg)
Scattershot Screed from Germany
Listening to voices, those oldest of all instruments, might be described as searching the foreign (or Other) for our own sound, and perhaps recognizing / befriending it for what always seems to be the first time.
![](https://www.lafolia.com/wp-content/uploads/2018/10/alt27.jpg)
Scattershot Screed from Germany
Listening to voices, those oldest of all instruments, might be described as searching the foreign (or Other) for our own sound, and perhaps recognizing / befriending it for what always seems to be the first time.