Articles tagged 'Beethoven'
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Used Bin Troll Tweets T.
A lonely story lurks within 12 sections, perhaps Sephardic, Moravian or older, with nods to jazz, Gertrude Stein and Joaquín Rodrigo.
![](https://www.lafolia.com/wp-content/uploads/2016/10/ecm_2275-210x210.jpeg)
Used Bin Troll Tweets T.
A lonely story lurks within 12 sections, perhaps Sephardic, Moravian or older, with nods to jazz, Gertrude Stein and Joaquín Rodrigo.
![](https://www.lafolia.com/wp-content/uploads/2016/09/edicionessingulares_es1019-e1473181041206.jpg)
Used Bin Troll Tweets S.
A group wedding that ends badly for all. Salieri’s early French success stems from Gluck’s influence.
![](https://www.lafolia.com/wp-content/uploads/2016/09/edicionessingulares_es1019-e1473181041206.jpg)
Used Bin Troll Tweets S.
A group wedding that ends badly for all. Salieri’s early French success stems from Gluck’s influence.
![](https://www.lafolia.com/wp-content/uploads/2016/07/aeon_aecd1647-210x189.jpeg)
String Theory 19: Mostly Cello
Pieces requiring retuning or scordatura have a modest foothold in the literature. It is very unusual to encounter works where strings are adjusted while playing, but several specimens fill out Ballon’s bold recital.
![](https://www.lafolia.com/wp-content/uploads/2016/07/aeon_aecd1647-210x189.jpeg)
String Theory 19: Mostly Cello
Pieces requiring retuning or scordatura have a modest foothold in the literature. It is very unusual to encounter works where strings are adjusted while playing, but several specimens fill out Ballon’s bold recital.
![](https://www.lafolia.com/wp-content/uploads/2016/06/fugalibera_fug716-210x210.jpeg)
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
![](https://www.lafolia.com/wp-content/uploads/2016/06/fugalibera_fug716-210x210.jpeg)
Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner
Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.
![](https://www.lafolia.com/wp-content/uploads/2016/03/alpha_227-210x210.jpeg)
(Dis)Arrangements 7: Beethoven
This Ninth is fascinating, hugely musical, a testament to Beethoven and Liszt’s combined brilliance.
![](https://www.lafolia.com/wp-content/uploads/2016/03/alpha_227-210x210.jpeg)
(Dis)Arrangements 7: Beethoven
This Ninth is fascinating, hugely musical, a testament to Beethoven and Liszt’s combined brilliance.
![](https://www.lafolia.com/wp-content/uploads/2015/07/advorak_wallet_prague-e1437189903986-210x210.jpg)
Composer haunts in Stuttgart, Berlin, Prague
A recent trip allowed for some exploring in Stuttgart, Berlin and Prague.
![](https://www.lafolia.com/wp-content/uploads/2015/07/advorak_wallet_prague-e1437189903986-210x210.jpg)
Composer haunts in Stuttgart, Berlin, Prague
A recent trip allowed for some exploring in Stuttgart, Berlin and Prague.
![](https://www.lafolia.com/wp-content/uploads/2014/04/labor_lab70202-210x212.jpg)
Used Bin Troll Tweets G.
What’s wrong? I’m starting to like everything. Perhaps I just like the piano.
![](https://www.lafolia.com/wp-content/uploads/2014/04/labor_lab70202-210x212.jpg)
Used Bin Troll Tweets G.
What’s wrong? I’m starting to like everything. Perhaps I just like the piano.
![](https://www.lafolia.com/wp-content/uploads/2013/08/dacapo_6220623-210x207.jpg)
Used Bin Troll Tweets B.
Gilbert’s freshness makes the comparison wonderfully simple.
![](https://www.lafolia.com/wp-content/uploads/2013/08/dacapo_6220623-210x207.jpg)
Used Bin Troll Tweets B.
Gilbert’s freshness makes the comparison wonderfully simple.
![](https://www.lafolia.com/wp-content/uploads/2013/05/navona_nv5908.jpg)
A Single Breath: Beethoven’s Last Three Piano Sonatas
“The sonatas, written in 1820, 1821, and 1822 respectively, were conceived together as a unit and so might be regarded as one, especially when heard together.”
![](https://www.lafolia.com/wp-content/uploads/2013/05/navona_nv5908.jpg)
A Single Breath: Beethoven’s Last Three Piano Sonatas
“The sonatas, written in 1820, 1821, and 1822 respectively, were conceived together as a unit and so might be regarded as one, especially when heard together.”
![](https://www.lafolia.com/wp-content/uploads/2013/02/neos_11119-210x189.jpg)
Maestro di Suoni e Silenzi: Necessary Nono 3.
A fresh NEOS sparks this roundup and forces an overdue confrontation with col legno’s Prometeo.
![](https://www.lafolia.com/wp-content/uploads/2013/02/neos_11119-210x189.jpg)
Maestro di Suoni e Silenzi: Necessary Nono 3.
A fresh NEOS sparks this roundup and forces an overdue confrontation with col legno’s Prometeo.
![](https://www.lafolia.com/wp-content/uploads/2022/01/beth_levin.jpeg)
Sublime Farewell: Beethoven’s Op. 111
Opening to the first page of the Henle edition of Sonata Op. 111. I realize how eager I am to get started, to crack the code and get inside.
![](https://www.lafolia.com/wp-content/uploads/2022/01/beth_levin.jpeg)
Sublime Farewell: Beethoven’s Op. 111
Opening to the first page of the Henle edition of Sonata Op. 111. I realize how eager I am to get started, to crack the code and get inside.
![](https://www.lafolia.com/wp-content/uploads/2012/11/centaur_crc29282929.jpg)
Piano Factory 7.
I’ve been dipping into this fluent sampler between more difficult stuff, enjoying Halffter’s compact brightness and Santinelli’s flair and execution.
![](https://www.lafolia.com/wp-content/uploads/2012/11/centaur_crc29282929.jpg)
Piano Factory 7.
I’ve been dipping into this fluent sampler between more difficult stuff, enjoying Halffter’s compact brightness and Santinelli’s flair and execution.