Articles tagged 'Barrett'
![](https://www.lafolia.com/wp-content/uploads/2022/07/mode_328.jpg)
EA Bucket 33.
Except for the Parmegiani, most of these ea works were created in 2000 or afterwards.
![](https://www.lafolia.com/wp-content/uploads/2022/07/mode_328.jpg)
EA Bucket 33.
Except for the Parmegiani, most of these ea works were created in 2000 or afterwards.
![](https://www.lafolia.com/wp-content/uploads/2021/07/sonoluminus_dsl92235.jpg)
EA Bucket 31: With Instruments
The violin is duplicated and sublimated in these complimentary works for solo instrument and electronics.
![](https://www.lafolia.com/wp-content/uploads/2021/07/sonoluminus_dsl92235.jpg)
EA Bucket 31: With Instruments
The violin is duplicated and sublimated in these complimentary works for solo instrument and electronics.
![](https://www.lafolia.com/wp-content/uploads/2016/07/aeon_aecd1647-210x189.jpeg)
String Theory 19: Mostly Cello
Pieces requiring retuning or scordatura have a modest foothold in the literature. It is very unusual to encounter works where strings are adjusted while playing, but several specimens fill out Ballon’s bold recital.
![](https://www.lafolia.com/wp-content/uploads/2016/07/aeon_aecd1647-210x189.jpeg)
String Theory 19: Mostly Cello
Pieces requiring retuning or scordatura have a modest foothold in the literature. It is very unusual to encounter works where strings are adjusted while playing, but several specimens fill out Ballon’s bold recital.
![](https://www.lafolia.com/wp-content/uploads/2013/06/nmc_d176-210x210.jpg)
NMC Ramble
Highlights of Davies’ nine-piece collection include Isis in which a leading saxophone gesticulates enthusiastically albeit fruitlessly over a 15-person chamber orchestra.
![](https://www.lafolia.com/wp-content/uploads/2013/06/nmc_d176-210x210.jpg)
NMC Ramble
Highlights of Davies’ nine-piece collection include Isis in which a leading saxophone gesticulates enthusiastically albeit fruitlessly over a 15-person chamber orchestra.
![](https://www.lafolia.com/wp-content/uploads/2013/02/hatology_564.jpg-210x182.jpg)
Walt’s Ratatouille 5.
The opening cut, Bley’s solo rendition of “Touching,” distills the pianist’s art — pedaling that turns notes into sculpture, leaping figures suddenly dropped, looming spaces.
![](https://www.lafolia.com/wp-content/uploads/2013/02/hatology_564.jpg-210x182.jpg)
Walt’s Ratatouille 5.
The opening cut, Bley’s solo rendition of “Touching,” distills the pianist’s art — pedaling that turns notes into sculpture, leaping figures suddenly dropped, looming spaces.