From my outpost here in quaint New England, the big town across the river is sometimes provincial, sometimes small-minded when it comes to music events.

January 1, 2001

Ethelbert Nevin, Vol. 3, No. 2

Letter from the Provinces

From my outpost here in quaint New England, the big town across the river is sometimes provincial, sometimes small-minded when it comes to music events.

January 1, 2001

Vol. 3, No. 2, Walt Mundkowsky, Walt's Ratatouille

Walt’s Ratatouille 2.

Diddling with Bach has been old hat for more than a century, and lately I’ve sighted Goldbergs from accordion, brass quintet, cathedral organ, jazz trio, overdubbed guitars, and several string ensembles.

January 1, 2001

Vol. 3, No. 2, Walt Mundkowsky, Walt's Ratatouille

Walt’s Ratatouille 2.

Diddling with Bach has been old hat for more than a century, and lately I’ve sighted Goldbergs from accordion, brass quintet, cathedral organ, jazz trio, overdubbed guitars, and several string ensembles.

January 1, 2001

Grant Chu Covell, Vol. 3, No. 2

The Year’s Best

The Year’s Best Piano release, plus Mahler, Andriessen, Aluminum and Glass

January 1, 2001

Grant Chu Covell, Vol. 3, No. 2

The Year’s Best

The Year’s Best Piano release, plus Mahler, Andriessen, Aluminum and Glass

January 1, 2001

Maurice Richter, Vol. 3, No. 2

The Hyperion Schubert Lieder Edition, Part Two

Here we continue with Volume 15.

January 1, 2001

Maurice Richter, Vol. 3, No. 2

The Hyperion Schubert Lieder Edition, Part Two

Here we continue with Volume 15.

January 1, 2001

Beth Levin, Vol. 3, No. 2

Piano Diary 2.

I write to come back to life.

January 1, 2001

Beth Levin, Vol. 3, No. 2

Piano Diary 2.

I write to come back to life.

January 1, 2001

Signor Scardanelli, Vol. 3, No. 2

Scardanelli’s Jazz Motley

When I received the between the lines publicity packet, Franz Koglmann’s name caught my eye.

January 1, 2001

Signor Scardanelli, Vol. 3, No. 2

Scardanelli’s Jazz Motley

When I received the between the lines publicity packet, Franz Koglmann’s name caught my eye.

January 1, 2001

Signor Scardanelli, Vol. 3, No. 2

Scardanelli’s Classical Motley

This Telarc’s ur audience dwelt in unself-conscious Gemütlichkeit, pastry, waltz and polka spiced, with, for kicks, Hungarian pizzazz.

January 1, 2001

Signor Scardanelli, Vol. 3, No. 2

Scardanelli’s Classical Motley

This Telarc’s ur audience dwelt in unself-conscious Gemütlichkeit, pastry, waltz and polka spiced, with, for kicks, Hungarian pizzazz.

January 1, 2001

Jim Merod, Vol. 3, No. 2

Jazz Column

Now that maestro Chico O’Farrill has been rediscovered all over again — and he never went anywhere in the first place — the Afro-Cuban scene can smile a broad grin of recognition that one of its central figures is here given room to show off.

January 1, 2001

Jim Merod, Vol. 3, No. 2

Jazz Column

Now that maestro Chico O’Farrill has been rediscovered all over again — and he never went anywhere in the first place — the Afro-Cuban scene can smile a broad grin of recognition that one of its central figures is here given room to show off.

January 1, 2001