Beth Levin

At three Beth Levin fell in love with her first piano, an old Lester upright in the basement. She would go down for hours and create a little world for herself. Made her debut with the Philadelphia Orchestra at age 12, and performed with them again at 16. (Her teacher was the great Chopin interpreter, Maryan Filar.) On her first day as a pupil of Rudolf Serkin at the Curtis Institute, she roamed the halls of practice rooms wondering how anyone could practice for six hours. Her best moments have been as soloist with orchestras in Boston, New York, Philadelphia and Seattle, touring in Music From Marlboro and with chamber groups she has founded, most recently the American Arts Trio. She writes: “I live with my family in Brooklyn. I very much wanted children and was eager for the challenge of balancing a musical life with a home life. One of my favorite tasks is to pop a lasagna into the oven while doing some intense practicing, thereby fulfilling two roles at once — mother and musician.”

Pletnev’s C.P.E. Bach

Asking one pianist to review another is a little like asking Tonya Harding to lace up Nancy Kerrigan’s skates.

Pletnev’s C.P.E. Bach

Asking one pianist to review another is a little like asking Tonya Harding to lace up Nancy Kerrigan’s skates.

Letters to Friends

“My Aunt Dora was in town yesterday and took me to lunch at Le Rivage in the West 40’s.”

Letters to Friends

“My Aunt Dora was in town yesterday and took me to lunch at Le Rivage in the West 40’s.”

Piano Diary 4.

The Aftermath of Liszt’s Dante Sonata and The Amato Opera Company, Mozart’s Don Giovanni , May 4th, 2001, 7:30 PM.

Piano Diary 4.

The Aftermath of Liszt’s Dante Sonata and The Amato Opera Company, Mozart’s Don Giovanni , May 4th, 2001, 7:30 PM.

Piano Diary 3.

Letter to Reykjavik, After Attending A Great Day in New York, After the All-Bach Festival of March 18th, etc.

Piano Diary 3.

Letter to Reykjavik, After Attending A Great Day in New York, After the All-Bach Festival of March 18th, etc.

Piano Diary 2.

I write to come back to life.

Piano Diary 2.

I write to come back to life.

Piano Diary 1.

I sat down and practiced the program this morning and found it still breathing after a weekend of neglect. Facing the five movements of Schumann, the famous Fantasy and all the rest of it sometimes seems too much for me. I escape into baking a lasagne, feeding the bird, even doing laundry.

Piano Diary 1.

I sat down and practiced the program this morning and found it still breathing after a weekend of neglect. Facing the five movements of Schumann, the famous Fantasy and all the rest of it sometimes seems too much for me. I escape into baking a lasagne, feeding the bird, even doing laundry.