Mostly Symphonies 33.

There are countless moments in Plötzlichkeit and La Terre est un Homme where I would not have been surprised if a page turn had transported us to Berg’s Reigen.

Solos and Underdogs

Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.