Articles tagged 'Francesconi'
Frammenti del discorso amoroso is especially, practically perfectly, rich with fluid tempos and expression.
The boldest surprise in Patterns in a Chromatic Field is how after ten minutes, plus or minus, the activity level plummets.
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.
More than any other 20th-century composer — and like the Gabrielis, the other great Venetian composers centuries before him — Nono wrote music sensitive to the performance space’s acoustics.