Articles tagged 'Francesconi'
![](https://www.lafolia.com/wp-content/uploads/2022/06/sibarecords_srcd1020-210x188.jpg)
Pièces de Clavecin 14. / Italian Vacation 16.
Frammenti del discorso amoroso is especially, practically perfectly, rich with fluid tempos and expression.
![](https://www.lafolia.com/wp-content/uploads/2022/06/sibarecords_srcd1020-210x188.jpg)
Pièces de Clavecin 14. / Italian Vacation 16.
Frammenti del discorso amoroso is especially, practically perfectly, rich with fluid tempos and expression.
![](https://www.lafolia.com/wp-content/uploads/2020/11/wergo_wer73822.jpg)
String Theory 33: Mostly Cellos and Basses
The boldest surprise in Patterns in a Chromatic Field is how after ten minutes, plus or minus, the activity level plummets.
![](https://www.lafolia.com/wp-content/uploads/2020/11/wergo_wer73822.jpg)
String Theory 33: Mostly Cellos and Basses
The boldest surprise in Patterns in a Chromatic Field is how after ten minutes, plus or minus, the activity level plummets.
![](https://www.lafolia.com/wp-content/uploads/2012/11/viennamodernmasters_vmm306.jpg)
Solos and Underdogs
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.
![](https://www.lafolia.com/wp-content/uploads/2012/11/viennamodernmasters_vmm306.jpg)
Solos and Underdogs
Low, breathy woodwind timbres are among my favorites (there’s a great passage in the first movement of Mahler’s Ninth), and the two double concertos offer ample room for dexterity and color.
![](https://www.lafolia.com/wp-content/uploads/2012/11/collegno31822.jpg)
Italian Vacation 1.
More than any other 20th-century composer — and like the Gabrielis, the other great Venetian composers centuries before him — Nono wrote music sensitive to the performance space’s acoustics.
![](https://www.lafolia.com/wp-content/uploads/2012/11/collegno31822.jpg)
Italian Vacation 1.
More than any other 20th-century composer — and like the Gabrielis, the other great Venetian composers centuries before him — Nono wrote music sensitive to the performance space’s acoustics.