Articles tagged 'Erber'
Psenitsnikova takes us through four varied pieces, three requiring tape or tape delay, from Fritsch who founded the Feedback Studio in Cologne.
Pieces requiring retuning or scordatura have a modest foothold in the literature. It is very unusual to encounter works where strings are adjusted while playing, but several specimens fill out Ballon’s bold recital.
My entry into this rewarding series came via a scenario I always enjoy – a highly evolved structure is interrogated, at first through hesitations and “mistakes,” and eventually falls apart.
The opening cut, Bley’s solo rendition of “Touching,” distills the pianist’s art — pedaling that turns notes into sculpture, leaping figures suddenly dropped, looming spaces.