Dan Albertson

Dan Albertson has written for La Folia since 2004. His pursuits involve languages, lexicography, music, musicology, poetry, and translation, and tend to veer away from mainstream artists. He has worked on the Living Composers Project since 2000, has written articles for MusikTexte, has contributed entries to the encyclopedia Komponisten der Gegenwart, and has edited multiple volumes of the British journal Contemporary Music Review, on the composers Helmut Lachenmann, Earle Brown and Aldo Clementi, plus two volumes on modernism and the string quartet and a co-edited volume on Spanish music beyond Spanish borders. He has been a member of its editorial board since 2014. He translates notes for Cybele Records in Düsseldorf and has contributed his own notes to a variety of international labels. His poems are generally short and static in nature. American by birth, he is now based abroad.

Threes and Sevens

Is Brucknerophilia a recognized medical condition? I caught it early in life and find that it grows worse, by which I mean better, with age.

Threes and Sevens

Is Brucknerophilia a recognized medical condition? I caught it early in life and find that it grows worse, by which I mean better, with age.

Splatter 1: New & Improved!

Peripateia. Here I go airing “dirty laundry” again — I know how to make friends.

Splatter 1: New & Improved!

Peripateia. Here I go airing “dirty laundry” again — I know how to make friends.

Qualche tedeschi, qualche gaijin

A direct comparison of the existing recordings of Lachenmann’s three quartets seems pointless.

Qualche tedeschi, qualche gaijin

A direct comparison of the existing recordings of Lachenmann’s three quartets seems pointless.

Trois Bachs et un Bizet

Marc Minkowski, once the rising hope of French early music, is nearing 50, and has a new label, Naïve, after more than a decade with Archiv.

Trois Bachs et un Bizet

Marc Minkowski, once the rising hope of French early music, is nearing 50, and has a new label, Naïve, after more than a decade with Archiv.

Ze Tschörmans Are Coming!

Why would a rural fellow go to Chicago?

Ze Tschörmans Are Coming!

Why would a rural fellow go to Chicago?

Andriessen at 70 II

Komödie ohne Lachen … und Streicher

Andriessen at 70 II

Komödie ohne Lachen … und Streicher

Plus de Musique de Chambre

Plus de Musique de Chambre de Musique de Plus (l’Europe et plus est)

Plus de Musique de Chambre

Plus de Musique de Chambre de Musique de Plus (l’Europe et plus est)

Dritter Spaziergang, gekürzt

I offer another Rihm stroll, now in very abbreviated tones, though maybe not legally quite brief enough.

Dritter Spaziergang, gekürzt

I offer another Rihm stroll, now in very abbreviated tones, though maybe not legally quite brief enough.

Armer Brahms, prima pars

The Brahms symphonies were an area that I avoided for much of my life. I equated Brahms with tradition and sterility.

Armer Brahms, prima pars

The Brahms symphonies were an area that I avoided for much of my life. I equated Brahms with tradition and sterility.

An Enigma of Germans

The latest offering in the KAIROS Lachenmann series has a famous work, an obscure work and a new work, spread across two discs but offering only 94:47 of music.

An Enigma of Germans

The latest offering in the KAIROS Lachenmann series has a famous work, an obscure work and a new work, spread across two discs but offering only 94:47 of music.

Of Fricatives and Plosives

Mark André must be a fearless man, a true frondeur. His 2001-04 stage work …22, 13…, a Musiktheater-Passion in drei Teilen, shows no hesitation either musically or theologically.

Of Fricatives and Plosives

Mark André must be a fearless man, a true frondeur. His 2001-04 stage work …22, 13…, a Musiktheater-Passion in drei Teilen, shows no hesitation either musically or theologically.

Six Curious Pair Bonds

Christina Pluhar makes her Virgin début with this offering — arrangements of some of Monteverdi’s “greatest hits,” alongside lesser-known but no less endearing pieces, largely from the middle or late madrigal books.

Six Curious Pair Bonds

Christina Pluhar makes her Virgin début with this offering — arrangements of some of Monteverdi’s “greatest hits,” alongside lesser-known but no less endearing pieces, largely from the middle or late madrigal books.