Articles tagged 'Silvestrov'
This auspicious recording, the first on the CSO’s own label, is a keeper to shelve near Horenstein’s beloved Third.
Requiem for Larissa doesn’t really conclude. It recycles, gently rummaging through Silvestrov’s portmanteau of Romantic gestures and remembrances.
Hard on the instrument and on the players, Beethoven’s piano-four hands transcription of his Grosse Fuge is also hard to find.
Utrecht’s Rosa Ensemble is another of the category-crossing bands that renders the New Music scene in Holland so vital.