Articles tagged 'Scelsi'

Piano Factory 22. / Italian Vacation 15.

If Tosatti is encountered today, it is perhaps as Scelsi’s transcriber who momentarily popped up to claim a greater share of attribution.

Piano Factory 22. / Italian Vacation 15.

If Tosatti is encountered today, it is perhaps as Scelsi’s transcriber who momentarily popped up to claim a greater share of attribution.

String Theory 23. / EA Bucket 24: Violin, sometimes with tape

There will be those who get the pun in Rynes’ title, but I wasn’t one of them. Rynes’ nine-item program presents old and new friends.

String Theory 23. / EA Bucket 24: Violin, sometimes with tape

There will be those who get the pun in Rynes’ title, but I wasn’t one of them. Rynes’ nine-item program presents old and new friends.

In 1908…

In 1908 Mahler (48) made his Metropolitan Opera debut in New York with Wagner’s Tristan und Isolde (Jan. 1), wrote Das Lied von der Erde, and premiered his Seventh in Prague (Sep. 19).

In 1908…

In 1908 Mahler (48) made his Metropolitan Opera debut in New York with Wagner’s Tristan und Isolde (Jan. 1), wrote Das Lied von der Erde, and premiered his Seventh in Prague (Sep. 19).

String Theory 21: Mostly Viola(s)

Royer is an inspired Scelsi performer. He plays as if improvising, easing into Scelsi’s languid microtones with grace notes flicked away like involuntary twitches.

String Theory 21: Mostly Viola(s)

Royer is an inspired Scelsi performer. He plays as if improvising, easing into Scelsi’s languid microtones with grace notes flicked away like involuntary twitches.

Italian Vacation 14.

To say Aldo Clementi uses canons, is like saying Wagner wrote operas or that Beethoven was good at variations.

Italian Vacation 14.

To say Aldo Clementi uses canons, is like saying Wagner wrote operas or that Beethoven was good at variations.

String Theory 11: Cellos Mostly

Monteverdi and Scelsi are well paired. Both could infuse a line, vocal or otherwise, with mysticism or elemental passion and create impetuous and visceral statements.

String Theory 11: Cellos Mostly

Monteverdi and Scelsi are well paired. Both could infuse a line, vocal or otherwise, with mysticism or elemental passion and create impetuous and visceral statements.

Maestro di Suoni e Silenzi:
Necessary Nono 4.

Cuckson and Burns offer the first 5.1 surround sound release of La lontananza. Given the violinist moves through space, this format makes perfect sense.

Maestro di Suoni e Silenzi:
Necessary Nono 4.

Cuckson and Burns offer the first 5.1 surround sound release of La lontananza. Given the violinist moves through space, this format makes perfect sense.

Armchair Operas 8.

A week spent in Stockholm put me near the Raoul Wallenberg memorial, sited within view of the capitol’s water and synagogue. Easy to miss at first, the granite sphere soon becomes a landmark.

Armchair Operas 8.

A week spent in Stockholm put me near the Raoul Wallenberg memorial, sited within view of the capitol’s water and synagogue. Easy to miss at first, the granite sphere soon becomes a landmark.

Piano Factory 9.

Shepherding the work’s first if not best-documented performance, Cage took Satie’s ludicrous directions seriously and stabled a team of pianists to crank out Vexations’ 840 required repetitions.

Piano Factory 9.

Shepherding the work’s first if not best-documented performance, Cage took Satie’s ludicrous directions seriously and stabled a team of pianists to crank out Vexations’ 840 required repetitions.

Visiting Scelsi

In ancient times, Via di San Teodoro was called Vicus Tuscus, “Etruscan Street,” consisting of booksellers and shops with offerings of rare perfumes and Chinese silks. The modern street faces the ruins of the Palatine Hill, just southeast of the Roman Forum’s remains. Giacinto Scelsi lived at number 8.

Visiting Scelsi

In ancient times, Via di San Teodoro was called Vicus Tuscus, “Etruscan Street,” consisting of booksellers and shops with offerings of rare perfumes and Chinese silks. The modern street faces the ruins of the Palatine Hill, just southeast of the Roman Forum’s remains. Giacinto Scelsi lived at number 8.