Articles tagged 'Kagel'

Atopos Survey 3.

We come to a third and final installment in a survey of Atopos recordings. It’s not that I’ve saved the best for last, but rarities, yes. Any recordings of Vinko Globokar and Jean-Pierre Drouet, whether together or separate, are a reason to celebrate.

Atopos Survey 3.

We come to a third and final installment in a survey of Atopos recordings. It’s not that I’ve saved the best for last, but rarities, yes. Any recordings of Vinko Globokar and Jean-Pierre Drouet, whether together or separate, are a reason to celebrate.

Eternal Schubert and Disarrangements

Normand Forget arranges with a light hand, avoiding obvious colors and associations. Indeed the intermittent alto flute, bass clarinet, oboe d’amore and Baroque horn add smoky hues.

Eternal Schubert and Disarrangements

Normand Forget arranges with a light hand, avoiding obvious colors and associations. Indeed the intermittent alto flute, bass clarinet, oboe d’amore and Baroque horn add smoky hues.

EA Bucket 8.

An Anthology of Noise & Electronic Music will emerge as the hands-down arbiter of things electroacoustic.

EA Bucket 8.

An Anthology of Noise & Electronic Music will emerge as the hands-down arbiter of things electroacoustic.

A Late Last-But-Not-Least List

The Kagel fan who doesn’t already own this must be in a coma. Anyone who cares about 20th-century music absolutely has to have it.

A Late Last-But-Not-Least List

The Kagel fan who doesn’t already own this must be in a coma. Anyone who cares about 20th-century music absolutely has to have it.

A Surprise in ‘Most Every Box

Produced in conjunction with a 1999 Swiss Mariétan exposition, this obscure 1998 Terra Ignota CD documents several installations and projects.

A Surprise in ‘Most Every Box

Produced in conjunction with a 1999 Swiss Mariétan exposition, this obscure 1998 Terra Ignota CD documents several installations and projects.

Meat, Potatoes, Parsley: Eötvös, Kagel, Leifs, Pritchard, Stäbler, B.A. Zimmermann

Listen to a sandbox. BMC opens a fascinating view onto an original creator’s work with “Electrochronicle,” wherein Eötvös revisits 1970s electroacoustic work and improvisations.

Meat, Potatoes, Parsley: Eötvös, Kagel, Leifs, Pritchard, Stäbler, B.A. Zimmermann

Listen to a sandbox. BMC opens a fascinating view onto an original creator’s work with “Electrochronicle,” wherein Eötvös revisits 1970s electroacoustic work and improvisations.

Up from the Archives

Deutsche Grammophon’s Echo 20/21, Wergo’s Fortieth, and ENHB

Up from the Archives

Deutsche Grammophon’s Echo 20/21, Wergo’s Fortieth, and ENHB

Scattershot Screed from Germany

Listening to voices, those oldest of all instruments, might be described as searching the foreign (or Other) for our own sound, and perhaps recognizing / befriending it for what always seems to be the first time.

Scattershot Screed from Germany

Listening to voices, those oldest of all instruments, might be described as searching the foreign (or Other) for our own sound, and perhaps recognizing / befriending it for what always seems to be the first time.

Recordings of new and recent music

Charmed by his first experience of a music fair (a convention where closely spaced booths are simultaneously demonstrating different music products), Kagel constructed this 41-minute work, a “kaleidoscope” where “…different situations unexpectedly succeed one another and coexist simultaneously.”

Recordings of new and recent music

Charmed by his first experience of a music fair (a convention where closely spaced booths are simultaneously demonstrating different music products), Kagel constructed this 41-minute work, a “kaleidoscope” where “…different situations unexpectedly succeed one another and coexist simultaneously.”

Thar’s Gold In Them Montaignes!

The collector of art music’s modernists surely remembers Disques Montaigne.

Thar’s Gold In Them Montaignes!

The collector of art music’s modernists surely remembers Disques Montaigne.