Articles tagged 'K Huber'
In unceasing motion, Oesterle juggles 70 four-pitch groups into repeating patterns, generally double-stops with frequent harmonics, uneven rhythmic profiles and infrequent fast notes.
Weiner completed his arrangement in 1955, and this is apparently the first recording. The challenges and decisions are huge.
This is an exciting discovery. In terms of significance, Gérard Pesson’s opera Forever Valley belongs with Sciarrino’s Luci mie traditrici and Lachenmann’s Das Mädchen mit den Schwefelhölzern.