Articles tagged 'Furrer'

Chamber ramble with accordion, guitars and percussion

Breath and shape are crucial to these pieces’ projection and the results entrance. There are times when duo or trio fuses together so successfully it’s hard to tell whether the high note is a trombone, the low note a clarinet, or the reedy sound an accordion.

Chamber ramble with accordion, guitars and percussion

Breath and shape are crucial to these pieces’ projection and the results entrance. There are times when duo or trio fuses together so successfully it’s hard to tell whether the high note is a trombone, the low note a clarinet, or the reedy sound an accordion.

Even Further Aperghis Sightings

Perhaps the world has come around to Aperghis’ way of thinking… No question about it, we need more DVDs of Aperghis’ work.

Even Further Aperghis Sightings

Perhaps the world has come around to Aperghis’ way of thinking… No question about it, we need more DVDs of Aperghis’ work.

String Theory 9: 30 Quartets, etc.

As we’d expect from a seasoned musician, Ramsay’s quartets reveal a deep understanding of and admiration for the genre’s giants.

String Theory 9: 30 Quartets, etc.

As we’d expect from a seasoned musician, Ramsay’s quartets reveal a deep understanding of and admiration for the genre’s giants.

EA Bucket 7: Working Masters

The middle release in a Sub Rosa trio contains three Ferrari works defying simple explanation.

EA Bucket 7: Working Masters

The middle release in a Sub Rosa trio contains three Ferrari works defying simple explanation.

Heavy Rotation in 2003: Czernowin, Formenti, Guerrero, Harada, Harrison, Serkin, Pollini

Possibly, a more truthful title: “Best of 2003 Based on an Arbitrary and Random Selection Assembled by Someone with Predictable Tastes.”

Heavy Rotation in 2003: Czernowin, Formenti, Guerrero, Harada, Harrison, Serkin, Pollini

Possibly, a more truthful title: “Best of 2003 Based on an Arbitrary and Random Selection Assembled by Someone with Predictable Tastes.”

An Assortment of Moderns, Part I

Nono might not be your thing, but this is an extraordinary recording and it does much to document what contemporary stage works can be about.

An Assortment of Moderns, Part I

Nono might not be your thing, but this is an extraordinary recording and it does much to document what contemporary stage works can be about.