Articles tagged 'Feldman'
Random Noise 9: Philip Glass as Culture Meter, etc.
The music lover for whom classical’s multi-century inventory occupies the core of his interests thinks of present-day pop, that gallery of calculated oddities, if he thinks of it at all, more or less dismissively.
Random Noise 9: Philip Glass as Culture Meter, etc.
The music lover for whom classical’s multi-century inventory occupies the core of his interests thinks of present-day pop, that gallery of calculated oddities, if he thinks of it at all, more or less dismissively.
Random Noise 6: Super OTW Lives!
Back when hi-fi’s included AM-FM tuners, I would listen now and again to a New-York-area DJ who played music of the Baroque, for the most part Italian.
Random Noise 6: Super OTW Lives!
Back when hi-fi’s included AM-FM tuners, I would listen now and again to a New-York-area DJ who played music of the Baroque, for the most part Italian.
Random Noise 2
Russia and the USA, Shostakovich and Feldman
Mark Levinson No. 390S CD Processor
Not long ago, an audio hardware reviewer noted an irony: As the vinyl medium wanders yet farther into its dusk, its playback hardware improves.
Mark Levinson No. 390S CD Processor
Not long ago, an audio hardware reviewer noted an irony: As the vinyl medium wanders yet farther into its dusk, its playback hardware improves.
A Remarkable Event: Morton Feldman’s String Quartet 2
I had to correct a prediction as a just-in-time postscript: the unlikelihood of another recording of Morton Feldman’s Second String Quartet.
A Remarkable Event: Morton Feldman’s String Quartet 2
I had to correct a prediction as a just-in-time postscript: the unlikelihood of another recording of Morton Feldman’s Second String Quartet.
Collections and Colecciónes
Nuits — weiß wie Lilien, The Carnegie Hall Millennium Piano Book, Kronos’ Nuevo, etc.
Collections and Colecciónes
Nuits — weiß wie Lilien, The Carnegie Hall Millennium Piano Book, Kronos’ Nuevo, etc.
Among The Year’s So Far Best
Like everyone in New York, I reacted to the September 11th terror attacks with fear and loathing, destructive emotions slowly devolving to a burn-out expressing itself for our purpose as an inability to engage with discs I’d been sent for review.
Among The Year’s So Far Best
Like everyone in New York, I reacted to the September 11th terror attacks with fear and loathing, destructive emotions slowly devolving to a burn-out expressing itself for our purpose as an inability to engage with discs I’d been sent for review.
Recordings of new and recent music
Charmed by his first experience of a music fair (a convention where closely spaced booths are simultaneously demonstrating different music products), Kagel constructed this 41-minute work, a “kaleidoscope” where “ different situations unexpectedly succeed one another and coexist simultaneously.”
Recordings of new and recent music
Charmed by his first experience of a music fair (a convention where closely spaced booths are simultaneously demonstrating different music products), Kagel constructed this 41-minute work, a “kaleidoscope” where “ different situations unexpectedly succeed one another and coexist simultaneously.”
The Year’s So Far Best
Mike Silverton [August 2001. Originally appeared in La Folia 3:4.] Heinz HOLLIGER: Schneewittchen (Snow White), opera in five scenes, with prologue and epilogue. Libretto adapted by Heinz Holliger from Robert Walser’s play Schneewittchen. Juliane Banse, soprano, Snow White; Cornelia Kallisch,
The Year’s So Far Best
Mike Silverton [August 2001. Originally appeared in La Folia 3:4.] Heinz HOLLIGER: Schneewittchen (Snow White), opera in five scenes, with prologue and epilogue. Libretto adapted by Heinz Holliger from Robert Walser’s play Schneewittchen. Juliane Banse, soprano, Snow White; Cornelia Kallisch,
The Year’s Best
The Year’s Best Piano release, plus Mahler, Andriessen, Aluminum and Glass
The Year’s Best
The Year’s Best Piano release, plus Mahler, Andriessen, Aluminum and Glass
Scardanelli’s Classical Motley
This Telarc’s ur audience dwelt in unself-conscious Gemütlichkeit, pastry, waltz and polka spiced, with, for kicks, Hungarian pizzazz.
Scardanelli’s Classical Motley
This Telarc’s ur audience dwelt in unself-conscious Gemütlichkeit, pastry, waltz and polka spiced, with, for kicks, Hungarian pizzazz.
Thar’s Gold In Them Montaignes!
The collector of art music’s modernists surely remembers Disques Montaigne.
Thar’s Gold In Them Montaignes!
The collector of art music’s modernists surely remembers Disques Montaigne.