Articles tagged 'Feldman'

Piano Factory 23.

Forsberg offers a program of doubly neglected works. First off, these are all pieces by women composers, and secondly, none of them fits easily into the big styles of the late 19th or early 20th century.

Piano Factory 23.

Forsberg offers a program of doubly neglected works. First off, these are all pieces by women composers, and secondly, none of them fits easily into the big styles of the late 19th or early 20th century.

Unsolicited Remarks

Even after bumping into derivatives and less artful followers, Lachenmann’s original acerbic brittleness still delights after a long absence.

Unsolicited Remarks

Even after bumping into derivatives and less artful followers, Lachenmann’s original acerbic brittleness still delights after a long absence.

Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner

Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.

Piano Factory 16. / (Dis)Arrangements 9: Liszt and Wagner

Liszt’s last pieces reflect little interest in pyrotechnics or showy glamour. They are curious about harmony and the spiritual world; some touch on historical subjects, but most all are reflective, even world-weary.

Feldman’s SQ2 in Boston

There were rubberneckers who wandered in for shorter periods to catch a lingering glimpse of this anomaly, but about 80 of us stuck through to the transcendent end.

Feldman’s SQ2 in Boston

There were rubberneckers who wandered in for shorter periods to catch a lingering glimpse of this anomaly, but about 80 of us stuck through to the transcendent end.

String Theory 17: 21 String Quartets

The versatile Kreutzer Quartet takes a whirl in the time machine and journeys to Australia for four string quartets composed between 1964 and ‘75.

String Theory 17: 21 String Quartets

The versatile Kreutzer Quartet takes a whirl in the time machine and journeys to Australia for four string quartets composed between 1964 and ‘75.

Feldmania

It feels so stupid to write about late Feldman. Those of us who take up the task can’t help but show off how much of a worthwhile effort it was to submit to the large time span. Let’s admit it, the cult of Feldman is a club where membership is gained through persistent endurance.

Feldmania

It feels so stupid to write about late Feldman. Those of us who take up the task can’t help but show off how much of a worthwhile effort it was to submit to the large time span. Let’s admit it, the cult of Feldman is a club where membership is gained through persistent endurance.

Musica somnambulistica

Late Feldman is an experience at any tempo.

Musica somnambulistica

Late Feldman is an experience at any tempo.

Composer haunts in Stuttgart, Berlin, Prague

A recent trip allowed for some exploring in Stuttgart, Berlin and Prague.

Composer haunts in Stuttgart, Berlin, Prague

A recent trip allowed for some exploring in Stuttgart, Berlin and Prague.

Concerto Concentrations 3.

City Noir’s three connected panels satisfy Adams’ need to extend and revive his impressions of old movie cues. The gestures are immediately familiar, yet they’re Adams’ own.

Concerto Concentrations 3.

City Noir’s three connected panels satisfy Adams’ need to extend and revive his impressions of old movie cues. The gestures are immediately familiar, yet they’re Adams’ own.

String Theory 11: Cellos Mostly

Monteverdi and Scelsi are well paired. Both could infuse a line, vocal or otherwise, with mysticism or elemental passion and create impetuous and visceral statements.

String Theory 11: Cellos Mostly

Monteverdi and Scelsi are well paired. Both could infuse a line, vocal or otherwise, with mysticism or elemental passion and create impetuous and visceral statements.