Articles tagged 'Chopin'

A Look at Chopin’s Piano Sonata in B-flat minor, Op. 35

The music unfolds in a great arc of color, motion and sweep. One is reminded of an hallucination owing to the music’s lack of obvious form – as if no bar lines or structure existed. Arthur Rubinstein called it “wind howling around the gravestones.”

A Look at Chopin’s Piano Sonata in B-flat minor, Op. 35

The music unfolds in a great arc of color, motion and sweep. One is reminded of an hallucination owing to the music’s lack of obvious form – as if no bar lines or structure existed. Arthur Rubinstein called it “wind howling around the gravestones.”

Piano Legends

What makes a pianist a “legend”?

Piano Legends

What makes a pianist a “legend”?

Dear La Folia 13.

The season’s changed and it’s no longer mandatory to light an evening fire. This means music listening unaccompanied by the fan in our wood-burning stove.

Dear La Folia 13.

The season’s changed and it’s no longer mandatory to light an evening fire. This means music listening unaccompanied by the fan in our wood-burning stove.

A Brief Look at Chopin’s Ballade in F minor, Op. 52

The Ballade comes in on a cloud, builds to a lightning storm keeping its center — the power of ppa melody spoken once, again, a third time, renewing truth with three tolls of a bell.

A Brief Look at Chopin’s Ballade in F minor, Op. 52

The Ballade comes in on a cloud, builds to a lightning storm keeping its center — the power of ppa melody spoken once, again, a third time, renewing truth with three tolls of a bell.

An Eclectic Piano Ramble

This handful of discs features the piano in all sorts of forms and genres. We examine works intended to be played at the keyboard and inside the piano, others that alter the piano’s tuning, and those that require a synthesized instrument.

An Eclectic Piano Ramble

This handful of discs features the piano in all sorts of forms and genres. We examine works intended to be played at the keyboard and inside the piano, others that alter the piano’s tuning, and those that require a synthesized instrument.

Dear La Folia 6.

You know how the classical music market is these days, tapes dying slow deaths in dusty vaults, superb performances disappearing like drachmas tossed into the Aegean by an indifferent tourist.

Dear La Folia 6.

You know how the classical music market is these days, tapes dying slow deaths in dusty vaults, superb performances disappearing like drachmas tossed into the Aegean by an indifferent tourist.