Articles tagged 'Bach'

Pièces de Clavecin 5.

It’d be pleasure enough merely to listen to this 1751 Jean-Henri Hemsch doing anything. As it happens, Haas offers perhaps the best, newest Le Grand on the market.

Pièces de Clavecin 5.

It’d be pleasure enough merely to listen to this 1751 Jean-Henri Hemsch doing anything. As it happens, Haas offers perhaps the best, newest Le Grand on the market.

Trois Bachs et un Bizet

Marc Minkowski, once the rising hope of French early music, is nearing 50, and has a new label, Naïve, after more than a decade with Archiv.

Trois Bachs et un Bizet

Marc Minkowski, once the rising hope of French early music, is nearing 50, and has a new label, Naïve, after more than a decade with Archiv.

Album Tweets 3: Strange Arts

Several Die Kunst der Fuge recordings

Album Tweets 3: Strange Arts

Several Die Kunst der Fuge recordings

Six Curious Pair Bonds

Christina Pluhar makes her Virgin début with this offering — arrangements of some of Monteverdi’s “greatest hits,” alongside lesser-known but no less endearing pieces, largely from the middle or late madrigal books.

Six Curious Pair Bonds

Christina Pluhar makes her Virgin début with this offering — arrangements of some of Monteverdi’s “greatest hits,” alongside lesser-known but no less endearing pieces, largely from the middle or late madrigal books.

Springtime with Bach

In the midst of my current Bach-fest, I came across a New Yorker article that quoted Schopenhauer’s distinction between talent and genius: “Talent is like the marksman who hits a target which others cannot reach; genius is like the marksman who hits a target as far as which others cannot see.”

Springtime with Bach

In the midst of my current Bach-fest, I came across a New Yorker article that quoted Schopenhauer’s distinction between talent and genius: “Talent is like the marksman who hits a target which others cannot reach; genius is like the marksman who hits a target as far as which others cannot see.”

Piano Factory 3.

Upon consideration, Fray’s programming makes sense: Both composers, lording over their respective periods, required and require subsequent generations to instigate new styles and techniques.

Piano Factory 3.

Upon consideration, Fray’s programming makes sense: Both composers, lording over their respective periods, required and require subsequent generations to instigate new styles and techniques.

Words Fail Me 9.

I can admire Wilson’s results without buying his thesis, that Farnaby (1562-1640) belongs with Byrd, Bull and Gibbons.

Words Fail Me 9.

I can admire Wilson’s results without buying his thesis, that Farnaby (1562-1640) belongs with Byrd, Bull and Gibbons.