Vol. 3, No. 5

Incredible Risks: Strange and Improvised Musics

Once again I’m glad to share some more of these releases with you. Some are fresh out of the oven, and others have been waiting for their proper time.

Incredible Risks: Strange and Improvised Musics

Once again I’m glad to share some more of these releases with you. Some are fresh out of the oven, and others have been waiting for their proper time.

Composed and deComposed: Music of Our Centuries

The events surrounding the terrorist destruction of the Wold Trade Center has had a peculiar effect on the musicians and other artists I’ve spoken with.

Composed and deComposed: Music of Our Centuries

The events surrounding the terrorist destruction of the Wold Trade Center has had a peculiar effect on the musicians and other artists I’ve spoken with.

An Assortment of Moderns, Part II

I was way pleased when the Grammys gave George Crumb’s Star-child the honors for Best Contemporary Composition of 2000.

An Assortment of Moderns, Part II

I was way pleased when the Grammys gave George Crumb’s Star-child the honors for Best Contemporary Composition of 2000.

An Assortment of Moderns, Part I

Nono might not be your thing, but this is an extraordinary recording and it does much to document what contemporary stage works can be about.

An Assortment of Moderns, Part I

Nono might not be your thing, but this is an extraordinary recording and it does much to document what contemporary stage works can be about.

Among The Year’s So Far Best

Like everyone in New York, I reacted to the September 11th terror attacks with fear and loathing, destructive emotions slowly devolving to a burn-out expressing itself for our purpose as an inability to engage with discs I’d been sent for review.

Among The Year’s So Far Best

Like everyone in New York, I reacted to the September 11th terror attacks with fear and loathing, destructive emotions slowly devolving to a burn-out expressing itself for our purpose as an inability to engage with discs I’d been sent for review.