String Theory

String Theory 21: Mostly Viola(s)

Royer is an inspired Scelsi performer. He plays as if improvising, easing into Scelsi’s languid microtones with grace notes flicked away like involuntary twitches.

String Theory 21: Mostly Viola(s)

Royer is an inspired Scelsi performer. He plays as if improvising, easing into Scelsi’s languid microtones with grace notes flicked away like involuntary twitches.

String Theory 20: Mostly Violin (with Piano Accompaniment)

With coarse harmonies and a rhythmic engine requiring a few cranks before it hums, the two-movement Sonata emerges brooding and severe, wonderfully modern and unfamiliar.

String Theory 20: Mostly Violin (with Piano Accompaniment)

With coarse harmonies and a rhythmic engine requiring a few cranks before it hums, the two-movement Sonata emerges brooding and severe, wonderfully modern and unfamiliar.

String Theory 19: Mostly Cello

Pieces requiring retuning or scordatura have a modest foothold in the literature. It is very unusual to encounter works where strings are adjusted while playing, but several specimens fill out Ballon’s bold recital.

String Theory 19: Mostly Cello

Pieces requiring retuning or scordatura have a modest foothold in the literature. It is very unusual to encounter works where strings are adjusted while playing, but several specimens fill out Ballon’s bold recital.

String Theory 18: Bundled Quartets and a few Trios

I imagine that Gorton enjoys a good joke. In Fosdyke Wash, a sighing cello part is marked “like distant agricultural machinery.” At that point, the cello sounds like a mewling chainsaw at a far remove.

String Theory 18: Bundled Quartets and a few Trios

I imagine that Gorton enjoys a good joke. In Fosdyke Wash, a sighing cello part is marked “like distant agricultural machinery.” At that point, the cello sounds like a mewling chainsaw at a far remove.

String Theory 17: 21 String Quartets

The versatile Kreutzer Quartet takes a whirl in the time machine and journeys to Australia for four string quartets composed between 1964 and ‘75.

String Theory 17: 21 String Quartets

The versatile Kreutzer Quartet takes a whirl in the time machine and journeys to Australia for four string quartets composed between 1964 and ‘75.

String Theory 16: 17 Quartets, some with voices, tapes, etc.

After wrestling with Schnittke, the Molinari get into the ring with Gubaidulina.

String Theory 16: 17 Quartets, some with voices, tapes, etc.

After wrestling with Schnittke, the Molinari get into the ring with Gubaidulina.

String Theory 15: Piano Trios, Quartets and Quintets, etc.

This two-CD set’s anchor is the big Piano Quintet, whose music went missing after initial performances. The autograph score was delivered anonymously to the Schnabel archive in 2001 and this is its first recording. At three movements spanning 55 minutes, it’s a monster.

String Theory 15: Piano Trios, Quartets and Quintets, etc.

This two-CD set’s anchor is the big Piano Quintet, whose music went missing after initial performances. The autograph score was delivered anonymously to the Schnabel archive in 2001 and this is its first recording. At three movements spanning 55 minutes, it’s a monster.

String Theory 14: 28 Quartets, etc.

The 1918 quartet titled Rosengaardsspil arranges Classical and Romantic gestures like appliques on faded wallpaper. Langgaard dashed off the Italian Scherzo in 30 minutes on the morning of October 21, 1950.

String Theory 14: 28 Quartets, etc.

The 1918 quartet titled Rosengaardsspil arranges Classical and Romantic gestures like appliques on faded wallpaper. Langgaard dashed off the Italian Scherzo in 30 minutes on the morning of October 21, 1950.

String Theory 13: 19 Quartets, etc.

As a collection, Cage’s string quartets permit an ensemble to explore different ways of collaborating. Here the Bozzinis demonstrate their impressive range, playing together, apart and indifferently.

String Theory 13: 19 Quartets, etc.

As a collection, Cage’s string quartets permit an ensemble to explore different ways of collaborating. Here the Bozzinis demonstrate their impressive range, playing together, apart and indifferently.

String Theory 12: Violin (with Piano, Mostly)

Fokkens declares a natural and mature style through efficient notes and rhythm.

String Theory 12: Violin (with Piano, Mostly)

Fokkens declares a natural and mature style through efficient notes and rhythm.