Mostly Symphonies

Mostly Symphonies 6. / Naxos Bowl 2.

Melding hymn tunes, microtones, complex canons and continuous glissandos, Coates’ riveting symphonies take the Ives highway but go off-road after Ligeti’s exit…

Mostly Symphonies 6. / Naxos Bowl 2.

Melding hymn tunes, microtones, complex canons and continuous glissandos, Coates’ riveting symphonies take the Ives highway but go off-road after Ligeti’s exit…

Mostly Symphonies 5.

This auspicious recording, the first on the CSO’s own label, is a keeper to shelve near Horenstein’s beloved Third.

Mostly Symphonies 5.

This auspicious recording, the first on the CSO’s own label, is a keeper to shelve near Horenstein’s beloved Third.

Mostly Symphonies 4.

Sturm und Drang is back. You read it here first. We’re teetering on a new age’s cusp guaranteed to perturb old-timers who survived the historically informed practice movement.

Mostly Symphonies 4.

Sturm und Drang is back. You read it here first. We’re teetering on a new age’s cusp guaranteed to perturb old-timers who survived the historically informed practice movement.

Mostly Symphonies 3.

“…[W]e still sorely missed the symphonie that Rameau never wrote. And so we created it ourselves.”

Mostly Symphonies 3.

“…[W]e still sorely missed the symphonie that Rameau never wrote. And so we created it ourselves.”

Mostly Symphonies 2.

With tour experience the proving ground, Fischer bucks convention, placing the Andante before the Scherzo.

Mostly Symphonies 2.

With tour experience the proving ground, Fischer bucks convention, placing the Andante before the Scherzo.

Mostly Symphonies

Tal’s six tightly coiled symphonies excite like no other covered here.

Mostly Symphonies

Tal’s six tightly coiled symphonies excite like no other covered here.

Four Symphonies: Reduced, Amplified, Completed and Unnecessary

One needs but a moment to get used to the intimate café texture whose Viennese litheness underscores the exquisite Schubertian opening dip.

Four Symphonies: Reduced, Amplified, Completed and Unnecessary

One needs but a moment to get used to the intimate café texture whose Viennese litheness underscores the exquisite Schubertian opening dip.

American Symphonies on Naxos and First Edition

Whether one looks forward or back, Naxos and First Edition Music are two labels making significant contributions to American symphonic music.

American Symphonies on Naxos and First Edition

Whether one looks forward or back, Naxos and First Edition Music are two labels making significant contributions to American symphonic music.

Echt und Ersatz: Mahler, Bruckner, Rott, Zemlinsky, et al.

With Berg just ’round the corner, it’s been easier to tackle Boulez’s explorations of the purely orchestral Mahler symphonies, especially the Sixth, Seventh and Ninth.

Echt und Ersatz: Mahler, Bruckner, Rott, Zemlinsky, et al.

With Berg just ’round the corner, it’s been easier to tackle Boulez’s explorations of the purely orchestral Mahler symphonies, especially the Sixth, Seventh and Ninth.