Managing Editor Grant Chu Covell works in the Boston area for a global technology company that made hardware which Xenakis and Babbitt used to good effect. His music reviews have appeared in EAR Magazine and InMusic, and he was the publisher of The Periodic Journal of Bibliography (1990-95). A short article on a work for piano and tape is in the Csound Magazine. His instrumental and electroacoustic music has been performed in the U.S. and abroad, and he has shared too many CDs of his music with family and friends (one work was recorded in a refrigerator). Two electroacoustic works have appeared in commercial compilations: Presence III and The Door Project. A recent CD can be found here. A long departed family dog’s name was taken from a character in Wagner’s Ring.
Grant Chu Covell
200 Ans de Musique à Versailles
The 200 years can be navigated as a prelude with three acts. The booklet suggests a Prologue followed by an Apotheosis, Divertissement and Epilogue.
200 Ans de Musique à Versailles
The 200 years can be navigated as a prelude with three acts. The booklet suggests a Prologue followed by an Apotheosis, Divertissement and Epilogue.
Maestro di Suoni e Silenzi:
Necessary Nono 2.
Perhaps too eagerly I mentioned that there would be a second part in this string of Nono explorations.
Maestro di Suoni e Silenzi:
Necessary Nono 2.
Perhaps too eagerly I mentioned that there would be a second part in this string of Nono explorations.
Rameau, presént et absent
Nearly 270 years after its first publication, Rameau’s Pièces de Clavecin en Concerts perpetuate a modest enigma: What sort of ensemble should play them?
Rameau, presént et absent
Nearly 270 years after its first publication, Rameau’s Pièces de Clavecin en Concerts perpetuate a modest enigma: What sort of ensemble should play them?
Mostly Symphonies 17.
Other Thirds — in any version — made little impression until now. But then again, the Wagner nods pass unnoticed.
Mostly Symphonies 17.
Other Thirds — in any version — made little impression until now. But then again, the Wagner nods pass unnoticed.
Maestro di Suoni e Silenzi: Necessary Nono 1.
I’ve postponed covering a stack of relatively recent Nono releases, music impossible to contemplate casually.
Maestro di Suoni e Silenzi: Necessary Nono 1.
I’ve postponed covering a stack of relatively recent Nono releases, music impossible to contemplate casually.
Armchair Operas 7.
Der Mond appeared two years after the runaway hit Carmina Burana, and like most everything Orff penned in its wake, it shares the same beer-hall bravado, diatonic gamut and hammering rhythms.
Armchair Operas 7.
Der Mond appeared two years after the runaway hit Carmina Burana, and like most everything Orff penned in its wake, it shares the same beer-hall bravado, diatonic gamut and hammering rhythms.
Mostly Symphonies 16.
A central instigator in the Wiener Aktionismus movement, Nitsch has been celebrated and vilified for events involving paint-splattering, animal disembowelment and nudity.
Mostly Symphonies 16.
A central instigator in the Wiener Aktionismus movement, Nitsch has been celebrated and vilified for events involving paint-splattering, animal disembowelment and nudity.
Armchair Operas 6.
Eighty sluggish minutes dramatize three months in Bruckner’s life. The insecure 43-year-old spent the summer of 1867 at Bad Kreuzen wrestling with a decision: to leave Linz and seek his fortune in Vienna as a composer, or journey to Mexico.
Armchair Operas 6.
Eighty sluggish minutes dramatize three months in Bruckner’s life. The insecure 43-year-old spent the summer of 1867 at Bad Kreuzen wrestling with a decision: to leave Linz and seek his fortune in Vienna as a composer, or journey to Mexico.
Pianos Abused: Schubert and Beethoven in New York
The staged entertainment Three Pianos consists of three guys hanging out, knocking back drinks, and stumbling through Schubert’s 1827 Winterreise.
Pianos Abused: Schubert and Beethoven in New York
The staged entertainment Three Pianos consists of three guys hanging out, knocking back drinks, and stumbling through Schubert’s 1827 Winterreise.
Awrite, Erik Chisholm!
Erik Chisholm (1904-1965) is the most interesting 20th-century Scots musician you’ve never heard of.
Awrite, Erik Chisholm!
Erik Chisholm (1904-1965) is the most interesting 20th-century Scots musician you’ve never heard of.