Gil Reavill

Music in the Midst of the Plague: A Conversation with Beth Levin

I was always saying things like, “I wish I had a year to learn that concerto,” or, “I wish I had two years for that set of variations.”

Music in the Midst of the Plague: A Conversation with Beth Levin

I was always saying things like, “I wish I had a year to learn that concerto,” or, “I wish I had two years for that set of variations.”

Odes to Music

An ever widening, ever brighter circle. Levin’s deep conversancy with the Romantic canon informs her spirited approach to both modern and period works.

Odes to Music

An ever widening, ever brighter circle. Levin’s deep conversancy with the Romantic canon informs her spirited approach to both modern and period works.

Creating in the Moment: A Q&A with Beth Levin

“A pianist’s work just begins at the opening of the concert. It can’t be wiped away and begun again. For a long time I preferred music to simply fly out to the atmosphere.”

Creating in the Moment: A Q&A with Beth Levin

“A pianist’s work just begins at the opening of the concert. It can’t be wiped away and begun again. For a long time I preferred music to simply fly out to the atmosphere.”