Ethelbert Nevin, a retired technical draftsman, resides in a quiet New England backwater. Currently translating a novel about Continental pinsetters, Nevin longs for the days when music didn’t try to please everybody.
Gorgeous sound and stupendous playing in this sundry program of solo viola da gamba pieces.
With Disklaviers and MIDI, BMOP recreates Antheil’s clangorous and insistent but unemotional ballet.
What’s wrong? I’m starting to like everything. Perhaps I just like the piano.
A distinct nostalgic voice whose Concerto No. 4 idly reconstructs a lost Russia.